王国维是中国现代美学的奠基者。
王国维选择美学也有其他学人的影响。
The choice of aesthetics for Wang Guowei was under the influence of other scholars.
王国维在中国美学史上有独特的地位。
Wang Guowei occupies a unique place in the History of Chinese Aesthetics.
双重人格在王国维身上有着鲜明的体现。
Dual Personality manifests itself most strikingly in Wang Guowei.
“苦痛”说是王国维人生思辨的理论基点。
The suffering doctrine is the theory basis of life speculation of Wang Guowei.
王国维抱着“无用之用”的观念研究美学。
Wang Guowei studies the aesthetics based on the idea of "useless use".
四是对王国维词语言的借用和意境的化用。
Fourth is language borrowing and artistic conception of use of Wang's Ci.
王国维的哲学和美学思想深受叔本华的影响。
The philosophy and aesthetics of Wang Guo-wei are deeply effected by Schopenhauer.
王国维是中国学术研究实现现代转型的第一人。
Wang Guowei is the first person to achieve modern transformation of academic research in China.
本文旨在全面具体地探讨王国维人生悲剧思想。
The thesis is aimed at a complete discussion on Wang Guowei's ideology of life tragedy.
在王国维的教育思想中,哲学教育占有十分重要的地位。
In Wang Guowei's educational thoughts philosophy education is very important.
1908年起,王国维把注意力转向了文学、戏曲领域。
From 1908, Wang Guowei paid his attention to literature and operas.
本文试图结合孔子和王国维的观点对这首诗进行新的分析。
This essay attempts to analyze the poem using some ideas of Kongzi and Wang Guowei, to achieve further understanding of the depth of the poem.
为学术计,王国维答应出任北京大学研究所国学门通讯导师。
Wang Guowei agrees to take the position of the correspondence adviser in the Chinese Classics Department at the Research Institute of Peking University for the sake of academy.
王国维是中国近代戏曲史学的开拓者,他的戏曲观念影响很大。
Wang Guowei is the man who has opened up the modern historical science of the Chinese Traditional Opera.
这一思想是王国维提出培养“完全之人物”这一观点的理论前提。
The thought is the theoretical base of Wang Guo-wei's "training ideal human beings" theory.
这一部分主要探讨了王国维忧郁悲观的天性以及这种性格形成的原因。
This part mainly discuss about the pessimism nature of Wang Guowei, and the reason of how this nature be formed.
王国维的“境界”说,是对其所研究与信奉的“审美”视域的学术超越;
Wang Guowei's idea of "the Plane Attained" reflected his academic transcendence over the "aesthetic experience" perspective upheld by him.
一般理解,每不加分别,这或因王国维《人间词话》同时加以使用之故;
Generally understood that does not add the distinction every time, therefore because this or Wang Guowei "the World Notes and comments on ci" at the same time perform the use;
“ 隔与不隔”说,是王国维《人间词话》中所提出的美学理论之一。
The theory of "Ge" and "Bu-Ge" is one of the aesthetical theories put forward in renjiancihua by Wang Cuowei.
王国维成为这种时代风气的先觉者,并以一种独特的方式对时代作出回应。
With the foresight of the times'trend, Wang Guo-wei responded to the trend of the time in a distinctive way.
王国维的《屈子之精神》与梁启超的《屈原研究》是屈原研究的经典之作。
The Literature Spirits of Quzi ", which is written by Wangguowei, and "the study of Quyuan", which is written by Liangqichao are classical thesis of study of Quyuan."
王国维以哲学、美学、史学、文学等方面的成就成为近代学术史上一座丰碑。
Because of the achievements of on philosophy, esthetics, historiography, literature and so on. Wang Guo-wei has become a monument in modern scholarship history.
美学的功利性与无功利性的统一满足了王国维对纯粹知识的追求和情感需要。
The coalescence of the utility and non-utility to the aesthetics meets the needs of his chase of the pure knowledge and the need of affection.
王国维在美学思考起步伊始就从《红楼梦》“接着讲”,目光远大,思想敏捷。
The moment he started pondering on aesthetics, Wang Guowei developed the essential thought of Dream of the Red Chamber.
《红楼梦评论》是王国维的小说批评专论,也是中国现代小说批评的纲领性著作。
Comments on the Dreams of the Red Mansion by Wang Guowei is a monograph on fictional criticism as well as a programmatic work of the modern Chinese novel criticism.
王国维是中国近代学术史上的大师,但他对教育领域的贡献,过去却鲜有人提及。
Wang Guowei was the great master in modern Chinese academic history. Wang Guowei's pioneering contributions to the educational field is known to few people.
《人间词话》是王国维重要的美学著作,也是清代尤其是近代以来词学研究的代表作。
Ren Jian Ci Hua is the important aesthetic work of Wang Guowei and a representative work in Ci study in the Qing Dynasty .
近代启蒙美学的三个理论支点是康有为的哲学、严复的进化论和王国维的审美境界说。
The three theoretical pillars of the modern enlightenment aesthetics were Kang Youweis philosophy, Yan Fus theory of evolution and Wang Guoweis theory of aesthetic realm.
王国维美学研究的动机的形成有其自身情感和求知的需要,也依赖于适当的外部条件。
The motive of Wang Guowei's aesthetics research has his own requirement of knowledge and emotion. Of course, external condition is necessary.
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