玄言诗对于今天的人们已经很陌生了。
Held airy philosophical discussions the poem already to be very strange regarding today's people.
东晋兰亭诗有着区别于山水诗和正宗玄言诗的不同特质。
Lanting poem of the Eastern Jin Dynasty is distinct in characteristics from Mountains-and-Rivers poem and Metaphysical poem.
本文首先将学术界对魏晋玄言诗的定义作一清理与分类。
This article firstly clean up and classify for its definition in the whole academia.
不同类型玄言诗的生成反映出玄学被接受和消化的动态过程。
The production of different types reflects the dynamic process of the reception and digestion of XuanXue.
玄言诗的新定义承认了佛理内容，也将玄言诗置于说理诗范围做出标定。
The new definition of Xuan Xue poems includes not only the doctrines of Buddha but also the category as philosophical poems.
魏晋玄言诗谈玄论理，主要创作手法为玄学认识论手法，包括“立言尽意”和“立象尽意”；
The Chinese poetry that explore metaphysics resort to a method of metaphysical epistemology, including "exhausting the meaning through words" and "exhausting the meaning through images";
在对玄言诗人界简要探讨的基础上，把前人的材料摆出来进行充分分析，可以看出玄言诗时代存在的可疑性。
On the basis of inquiring into the definition of Xuanyan poetry, we analyse the past raw materials, and then put forward our suspicion to the existence of "times of Xuanyan poetry".
佛、玄之间的交争与融合构成了东晋文化思想的基本特点，这从当日名僧与名士的玄言诗创作中亦可得到印证。
The culture of Eastern Jin features the confrontation and reconciliation of Buddhism and Xuanxue, which can be reflected in the Xuanyan poems created by the prominent monks and scholars at that time.
而采用“三段式结构”进行创作，在诗中“言必称玄”，则是谢灵运山水诗受玄学影响所呈现出来的最为明显的特点。
The most striking characters influenced by Metaphysics in his poems are the "structure of three-paragraph" and "no words without the thoughts of Metaphysics".
审美的感性特征从玄言、山水到宫体诗，经历了削弱、滋长、张扬的过程，这对重新评价宫体诗的价值意义重大。
The perceptual aesthetic characteristic goes through a process from declination, development to spread, which have an influence on re-appraisal palace style poem.
审美的感性特征从玄言、山水到宫体诗，经历了削弱、滋长、张扬的过程，这对重新评价宫体诗的价值意义重大。
The perceptual aesthetic characteristic goes through a process from declination, development to spread, which have an influence on re-appraisal palace style poem.
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