是这些特效师们帮助你创造了你的电影。
你是导演,你是特效师,你还是道具组,你根本不用担心什么预算。
You're the director, you're the special effects coordinator, you're the costume department, and you don't have to worry about a budget.
NUKEX的整合作业流程给与特效师更大的创作自由,大量的增加合成工作效率。
NUKEX gives artists greater creative freedom through an integrated workflow, dramatically increasing the efficiency of core compositing tasks.
为了制作出《少年pi的奇幻漂流》中的场景和表演,这些技术精湛的特效师们和辛勤工作的协调人、制作人花了成百上千个小时。
It took hundreds of hours from skilled artists and hard-working coordinators and producers to craft the environments and performances in Life of Pi.
这样的围网不仅用于舞台剧,而且许多现代魔术师都会在他们的表演和特技中利用这一特效,这是让物体出现或消失的一个好方法。
This netting not only is used in stage plays, but many of the modern
病人们给予他们的回报便是(错误但有效地)相信,缓解疼痛的是这类治疗的特效药,而不是治疗师的关怀之情。
Patients reward them by believing (wrongly but usefully) that it is the specifics of the therapy that are bringing relief, rather than the attention itself.
它还可以改变人物脸上的生理特征来制造出一种年龄效果,这类似于电影《本杰明-巴顿奇事》中特效工程师对布拉德-皮特的那种处理。
It could also change the physical features of a person’s face to create an age effect, similar to what the special effects technicians did with Brad Pitt in .
时不时的,《美国摄影师》杂志上还可以看到带图片关于特效的文章!
Occasionally, American Cinematographer would have an effects article with pictures!
在那里可以学习到关于电影特效的室内设计师 薪水许多专业词汇和(整套)生产方法。
There was a lot to learn about the vocabulary and production methodology of film effects though.
做好莱坞级的影视生物特效,做好生产前与设计师合作,三维生物的开发主要是在于思维和探索。
Doing pre-production 3D creature development in collaboration with a designer is mostly about ideation and exploration.
做好莱坞级的影视生物特效,做好坐褥前与设计师互助,三维生物的开发主要是在于头脑和寻觅。
Doing pre-production 3D creature development in collaboration with a designer is mostly aonslaught ideation and exploration.
做好莱坞级的影视生物特效,做好坐褥前与设计师互助,三维生物的开发主要是在于头脑和寻觅。
Doing pre-production 3D creature development in collaboration with a designer is mostly aonslaught ideation and exploration.
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