他是李尔王，罗密欧，俄狄甫斯，忒瑞西阿斯，他从戏剧中走出，他爱的女人是，罗莎琳德，埃及艳后，而不会是黑影夫人。
He is Lear, Romeo, Oedipus, Tiresias; he has stepped out of a play and even the woman he loves is Rosalind, Cleopatra, never the Dark Lady.
但是，爱德·鲍尔斯认为他有这个权利。
一些人吃惊于佩德罗.阿尔莫多瓦的爱片《吾栖之肤》没能得到评委会的肯定。 这部影片由安东尼奥.班德拉斯领衔主演，他在其中饰演一位自我毁灭的现代医生。
Some were surprised Pedro Almodovar's much-enjoyed The Skin I Live In, starring Antonio Banderas as a modern-day Doctor Frankenstein, failed to get recognition.
为了展示研究的爆发性，技术分析师默罕默德·艾尔·爱萨提(m'hamedelAisati)根据爱思唯尔的斯高帕斯数据库制作了这份独特的论文发表可视图。
To map the explosion of research, technology analyst m 'hamed el Aisati graphed unique publications based on information in Elsevier's Scopus database.
在桑顿·怀尔德的《三月的爱德斯》中，朱利叶斯·恺撒这样提醒我们：“我们所有人都处在落瓦的掌控之下。”
"We are all at the mercy of a falling tile," Julius Caesar reminds us in Thornton Wilder's Ides of March.
盖瑞·波维尔和金伯利·爱德斯顿在对美国201名企业主(其中43%为女性)的调查中，发现了这一矛盾论的新证据。
Gary Powell and Kimberly Eddleston surveyed 201 business owners in America (43 per cent were female) and found fresh evidence for this paradox.
盖瑞·波维尔和金伯利·爱德斯顿在对美国201名企业主(其中43%为女性)的调查中，发现了这一矛盾论的新证据。
Gary Powell and Kimberly Eddleston surveyed 201 business owners in America (43 per cent were female) and found fresh evidence for this paradox.
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