本文借助文体学的相关理论 ，在宏观上从两个方面分析当代美国剧作家大卫·迈梅特的戏剧《游戏之屋》的戏剧语言运用技巧与风格 ，揭示当代戏剧语言日趋口语化、生活化的特点。
This paper will discuss how David Mamet employs dramatic language in his famous drama House of Games, and concludes that modern dramatic dialogue is more and more oralized and naturalized.
《死亡之屋4特别版》的街机游戏机犹如众多步履蹒跚的僵尸一般，开始进入到日本各地指定的游戏厅和娱乐中心里。
Like so many shambling undead units of the house of the dead4special arcade game have started making their way into select arcades and amusement centers throughout Japan.
《死亡之屋4特别版》的街机游戏机犹如众多步履蹒跚的僵尸一般，开始进入到日本各地指定的游戏厅和娱乐中心里。
Like so many shambling undead units of the house of the dead4special arcade game have started making their way into select arcades and amusement centers throughout Japan.
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