费穆，开创中国民族电影的伟大先行者之一。
Fei Mu, one of the great pioneers who gave China its own cinema.
民族电影的文化资源优势只是一种潜在的优势。
The advantage of the cultural resource of national movies is only potential.
面对这些挑战，他们打造出一个享誉国际的民族电影业。
Confronting these challenges, they've produced a national cinema of world 2 renown.
这一考察的过程，也是对民族电影业在国际化背景中生存策略的认识和思考。
And to get an idea of how the national film can survive the international film context.
对民族电影而言，那些可以参与全球性流动与交换的文化差异，恰恰构成自身的文化资本。
As for national movies, it is the cultural difference in the global flows and exchanges that forms in its own right the cultural capital.
业内人士称，冯小刚为中国民族电影的商业化蹚出了一条出路，给疲软的中国电影市场注入了活力。
Critics have said that Feng has found a way for the commercialization of national cinema and injected vitality into a sluggish Chinese film market.
然而，许多学者妄想扛着民族电影的大旗来保护中国电影，试图让中国电影在温室中自己慢慢成长。
However, many scholars vainly think about protecting Chinese film with a national flag, which tries to let the Chinese films grow gradually in its own greenhouse.
无论从电影类型学的角度还是民族电影独立性的角度，戏曲艺术片对于中国电影都具有非常重大的意义。
The dramatic movie is of great importance to China movie seen from the angles of both genre and the national movie.
《小城之春》作为费穆先生最为辉煌时期的代表作品，以其唯美、含蓄的艺术风格奠定了中国民族电影在世界影坛的历史地位。
As the most famous film directed by Fei Mu, Spring in a Small Town laid the position of China's national film in the world by the unique esthetical, implicit artistic style.
例如，只有3.4%的电影导演是女性，且只有7%的电影演员对种族和民族问题保持中立，并反映了这个国家的多样性。
For example, just 3.4 percent of film directors were female, and only 7 percent of films had a cast whose balance of race and ethnicity reflected the country's diversity.
只有3.4%的电影导演是女性，只有7%的电影演员阵容能做到民族和种族平衡，反应国家的多样性。
Just 3.4 percent of film directors were female, and only 7 percent of films had a cast whose balance of race and ethnicity reflected the country's diversity.
但是，美国人是发明“酷”这个词的民族，现在他们仍然在许多领域使用着这个词，不管是音乐、电影、电视还是科技领域。
Americans, however, are the dudes who invented cool and who still embody it in many fields from music to movies and TV to technology.
他新拍的这部电影是游牧民族的一部史诗。
第一个是从一部韩国的电影中来，另一个是由一个我实际上从来没有听过的老的民族歌曲改编而成的。
One is from a Korean film, another's recomposed from an old Chinese folk song, a song that I actually never heard of it.
埃默里大学的南亚舞蹈队锡塔尔有很多种舞蹈形式，包括现代舞，爵士舞，街舞，芭蕾舞，印度古典舞蹈，民族和电影舞蹈。
Sitara, Emory's South Asian dance team, performs within a variety of dance genres, including modern, jazz, hip-hop, ballet, Indian classical, folk, and film dance.
面对好莱坞式的全球化挑战，中国电影的民族审美不仅不该被淡化，反而应更予以重视和关注。
With challenges of Hollywood globalization, the national aesthetics of Chinese movies should not be diluted; on the contrary, it needs more attention.
韩国可以说是唯一一个在电影海报上就刻有明显民族烙印的国家。
It is exclusive that Korea can say one engraves the state that has obvious people brand on movie poster.
同时也要深刻认识到好莱坞电影对中国文化的侵入，中国要保护好本民族的文化特征。
Meanwhile, we should profoundly realize the cultural invasion of Hollywood and try to protect our special national culture.
同时本文也通过对民族心理、电影表现手法的分析探讨了日本在二战影像的表达上所站的立场。
At the same time this paper through the national psychology, the movie expression means' analysis has also discussed Japan the standpoint which stands in the World War II phantom's expression.
“它能引发一场对话，但是对话需要的不只是一部好电影，”冯媛说，“它需要各个民族互相尊重，保持平等，目前我们缺乏这种环境。”
"It can start a dialogue, but a dialogue needs more than a good film," Ms. Feng said. "it needs a sense of respect and equality between minorities, and right now these conditions are lacking."
从20世纪60年代开始，通过书籍，电影和学校中的学习，白求恩在中国已经成为了一位伟大的民族英雄。
Since the 1960s through books, movies, and study in the schools, Bethune has become a national hero in China.
蒙古族题材电影是我国当代电影的一个重要组成部分，蒙古族文化艺术的独特性必然反映在本民族题材电影中。
Mongolian subject film is one of the important components of China contemporary films, thus the uniqueness of Mongolian culture and art is bound to reflect the local minority subject films.
本章还从“女性特质”的角度，阐释了“明星电影”对民族主义书写的参与方式。
This chapter interprets as well the way "the Mingxing Films" participated in the nationalist writing from a kind of "feminine particularity" Angle.
这里很多人物、歌曲、书刊、电影等不但已成为经典，并且也是我们这个民族存在的不可缺少的标志。
Many of the images, songs, books, movies, etc. have not only become classics but are also indispensable symbols of our national existence.
韩国民众对于韩国有一种非理性的热爱和支持，这种民族文化特质始终贯穿于包括韩国电影在内的韩国文化之中。
The Korea people love and support their nation irrationally, and this national characteristic penetrates the Korea culture which includes Korea movie.
二战成为日本民族最大的历史伤痛，也为日本电影提供了最重要的、最富特色的素材资源。
The World War II becomes the Japanese biggest history wound, also has provided importantly, the richest characteristic source material resources for the Japanese movie.
届时以色利全国将举办包括中国民族舞蹈、民族音乐和歌曲、艺术和手工艺品、摄影展以及戏剧和电影在内的多种多样的中国文化活动。
A series of different Chinese culture events will be held throughout Israel, including Chinese folk dance, folk music and songs, arts and crafts, photo exhibitions, plays and movies.
中国西部电影是中国电影的一个民族品牌，它具有鲜明的美学追求和美学风格。
China's western film is a Chinese film national brands, it has a distinct aesthetic style and aesthetic pursuit.
一个国家、一个民族整体的电影文化，是由多元结构来构成的。
The holistic movie culture of the country is composed of multiple structures.
民族题材电影是我国电影百花园里一株独特而亮丽的奇葩，是我国电影事业的重要组成部分。
The movie of subject matter of minority nationality is a peculiar and bright exotic flowers in the garden of our country movie, is the important composition of cause of our country movie.
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