第二部分揭示七月派作家死亡叙事的思想来源，阐释七月派死亡叙事的合理性和必要性。
The second part reveals the source of the July Writers'death narrative, and reveal his rationality reasonableness and necessity of this narrative.
该时期张承志作品中的死亡叙事不是单纯的控诉忧患的载体，而是在开辟表现生存意识、体现生存价值的新径。
The death narrative in Zhang Cheng-zhi s works in this period is not a simple carrier to complain misery, but is the method of developing a new way of manifesting survival sense and survival value.
根据作品表达主题意向的不同，鲁迅《呐喊》、《彷徨》涉及死亡叙事的作品大致可分三类：1。文化本质象征型；
According to the different topics connected with death in Crying Out and Wandering, there are three main categories 1. Symbolization of culture nature.
这篇叙事小说频繁回顾艾丽斯在战场上死亡的情景。
The narrative frequently flashes forward to Elis dying on the battlefield.
第六代电影人不再把死亡当作宏大叙事的一个载体，而是对死亡现象有了更多的思辨，并且在对其的审美表现上进行了更深层寓意的编码。
The Sixth Generation Film directors no longer regard the death as a body of grand narrative, but think more about the phenomenon of death and seek deeper implied meaning from its aesthetic form.
我们的文化将叙事和写作的观念异化了，叙事和写作被设计成逃避死亡的方式。
Our culture has metamorphosed this idea of narrative, or writing, as something designed to ward off death.
我们的文化将叙事和写作的观念异化了，叙事和写作被设计成逃避死亡的方式。
Our culture has metamorphosed this idea of narrative, or writing, as something designed to ward off death.
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