例如，歌剧演唱家在舞台上既不跳舞也不说话；现代戏剧中并没有唱歌或跳舞的角色；在舞剧中，舞者既不说话也不唱歌。
An opera singer, for example, neither dances nor speaks on stage; there are no singing or dancing parts in a modern play; in a dance drama, the dancer doesn't speak or sing.
歌剧中的其他角色在亲眼目睹了她沿着陡峭的桥梁行走时才相信了她是在梦游。
In the opera, the other characters only believe the sleepwalker's story when they see her walking along a high bridge.
在纽约布鲁克林音乐学院的舞台上，“三分钱歌剧”中柏林乐团的一幕里，剧中一位角色对他的新娘说道，“它是艺术，它并不美好。”
"It's art, it's not nice," a character says at one point to his new bride in the Berliner Ensemble's staging of "The Threepenny Opera" at the Brooklyn Academy of Music.
与韦伯结婚后，萨拉塑造了他的戏剧名作《歌剧幽灵》中克里斯廷的角色。
While Sarah was married to Lloyd Webber, she created the role of Christine in his theatrical phenomenon, The Phantom1 of the Opera.
并让她逼迫歌剧院里的两位经理在歌剧表演里给她更好的角色演。
And forced the Opera's two managers to give her better roles in their shows.
她开始看报纸上的那些评论介绍，不单是有关她在其中扮演一个很小的角色的那出歌剧的，也看其它的。
She began to read the newspaper notices, not only of the opera in which she had so small a part, but of others.
伯爵建议就以今天发生的事情作为主题，在场的人物作为角色——这便是我们一直在观看的歌剧。
The count suggests that the events of this very day should be its subject, with the people present as its characters— it is the opera we have been watching.
这些视觉元素完全无损于该歌剧的优美歌唱声，反而促使表演者更加动人地沉浸于他们的角色中。
Far from detracting from the opera's musical voice, these visual elements let performers more engagingly inhabit their roles.
他在这出歌剧中扮演一个重要的角色。
他总是邀请杰出的声乐家到家里，给他们演唱自己写的歌剧，一个人演所有的角色。
And he would invite eminent vocalists to his house and sing them his operas, taking all the parts.
他开始在墨西哥的歌剧中扮演角色的生涯。
本文通过对塔米诺歌剧形象的具体分析，来认识这一角色的艺术魅力所在。
This paper is based on the image of the opera Tamino specific analysis in order to understand the role of the artistic charm.
休：为甚么？歌剧里重要的低音角色不多。
论文的第四部分则从演员在戏剧表演、形体动作、对话台词、舞台调度以及角色塑造、导演的艺术构思和处理中来看这三部歌剧的史诗性表演特色。
The fourth part deals with the epic features of these three operas from other angles, such as the words, non-verbal behavior, stage dispatch and direction.
所谓的“歌剧角色的舞台形象塑造”并不是仅仅指“舞台造型”，而是包括了演唱和戏剧表演在内的完整的舞台行为。
A Mozart, and the screenwriter is Lorenzo da Ponte. It is not only stage image mold or stage modelling, but also included singing and acting.
所谓的“歌剧角色的舞台形象塑造”并不是仅仅指“舞台造型”，而是包括了演唱和戏剧表演在内的完整的舞台行为。
A Mozart, and the screenwriter is Lorenzo da Ponte. It is not only stage image mold or stage modelling, but also included singing and acting.
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