第三章，简要概述瓦格纳与威尔第歌剧创作的历史贡献。
Chapter 4 gives a brief introduction of the historic contribution of Wagner and Verdi to Opera.
通过分析介绍使读者了解瓦格纳精湛的歌剧创作创作手法。
Pass the analytical introduction make reader understanding Richard Wagner consummate opera creations creations skill.
第二章，从若干角度着重对二人的歌剧创作风格进行分析比较。
Chapter 3 makes a comparison between the composing style between Wagner and Verdi.
通过本文研究，我们从塔米诺看到了莫扎特歌剧创作的独特魅力。
Adoption of this study, we see from Tamino Mozart opera created by the unique charm.
通过这本体分析凸显了重唱的价值：即在美学上的深刻意义和对中国歌剧创作上的借鉴意义。
Via this analysis, the value of the duet is emphasized. That is its important significance on aesthetics and on guidance for Chinese opera creation.
本文作者主要对该剧的最后一个间奏曲和终曲在音乐的形态以及创作手法等方面进行深入的分析，并对贝尔格在本歌剧创作中的美学观进行了探索。
The Writer would analyze deeply the last interlude and finale of it in musical style and composing techniques and study Berg's view of esthetics in this opera creation.
他们二人的歌剧创作与革新在当时都引起了巨大的轰动与影响，他们的创作手法也纷纷被他们各自的追随者所效仿，他们的作品为世界音乐宝库增添了绚丽的光彩。
Both of them caused blockbuster in their times by their works and innovation, which followed by their followers. Their works add color to the world treasure of music.
莫扎特在创作出他最后一部歌剧后不久便去世了。
理查德瓦格纳在紫罗兰色调的房间里创作歌剧，他的灵感颜色。
Richard Wagner composed his operas in a room with shades of violet, his color of inspiration.
1997年她与飞利浦格拉斯第二次合作，为五月份首次在德国海德堡公演的歌剧《第三，四，五区域间的联姻》创作了歌词。
In 1997 she collaborated with Philip Glass for the second time, providing the libretto for the opera "the Marriages Between Zones Three, Four and Five" which premiered in Heidelberg, Germany in May.
“未来”展区的特色展项是有中国和日本的导演共同创作的现代歌剧。
The "future zone" will feature a modern opera developed by both Chinese and Japanese directors.
近日，全球首部在微博客网Twitter上创作的歌剧在著名的英国皇家歌剧院举行首演。
The first ever Twitter opera recently premiered at the Royal Opera House in London.
在此后的二十年中，一直到他去逝，他共创作了五百多首歌曲，他还创作了一部歌剧、钢琴和管弦乐。
During the next twenty years, until his death, he wrote more than five hundred more songs. He also wrote an opera, and music for piano and orchestra.
百老汇最有才华的音乐家是安德鲁·韦伯，他创作了很多非常著名的歌舞剧，包括《猫》、《芝加哥》和《歌剧媚影》。
The most talented musician of Broadway is Andrew Webber, who created many very famous musicals and operas, including Cats, Chicago, and the Phantom of the opera House.
如今，在同样的舞台，他又为他们带来了卡莱尔弗洛伊德的歌剧改编本——约翰斯坦贝克于1937年创作的小说《人与鼠》。
This time he graces the same stage with Carlisle Floyd’s adaptation of John Steinbeck's 1937 novel “Of Mice and Men”.
意大利作曲家维瓦尔第创作的失传已久的歌剧300年来首次在布拉格演出。
A long-lost opera by the Italian composer Vivaldi is being performed in Prague for the first time in almost 300 years.
尽管格什温兄弟创作的背景旋律主要是源于美国黑人音乐灵歌，蓝调和爵士，总经理威廉强调这部歌剧有一定的非洲根源。
Although the Gershwins’ score is American in its embrace of spirituals, blues and jazz, Mr Williams argues that the work has its roots in Africa.
格什温还创作了一部歌剧《Porgy and Bess》(《波吉和贝丝》)，这是根据杜波斯。海沃德的一部小说创作的。
Gershwin also wrote an opera, "Porgy and Bess." It was based on a book by DuBose Heyward.
他们各自的主要创作虽然都在各种器乐形式或歌剧等方面，但其三人音乐创作的发轫之初，却都是从德奥风格的独唱艺术歌曲开始的。
Their main creation in various forms, although all aspects of music, but or opera music creation of the third person who is at the beginning of the German, but the style of art song began solo.
弗雷德里克·肖邦没有写过交响曲，没有创作过歌剧，连一首弦乐四重奏曲作品也没有，他只写过钢琴曲，那么，他算不算得上是有史以来最伟大的古典作曲家之一？
Can Frederic Chopin, who wrote no symphonies, no operas, and no string quartets, who wrote only for the piano, be considered one of the greatest classical composers of all time?
过去10年来，像菲利普·格拉斯这样的年轻作曲家不受传统作曲规则的约束，一直处于创作歌剧的最前沿。
For the past 10 years, younger composers like Philip Glass have been on the cutting edge in composing operas that defy the traditional rules of writing music.
是蒙泰威尔第创作的一部歌剧。
歌剧是莫扎特音乐创作的重要组成部分。
Opera was an important integrant of the music creation of Mozart.
歌剧是由佛罗伦萨的一群富人创作发明的，他们想重现古希腊戏剧。
Opera was invented by a group of wealthy people in Florence, who wanted to reproduce ancient Greek dramas.
过去10年来，像菲利普·格拉斯这样的年轻作曲家不受大多数传统作曲规则的约束，一直站在创作歌剧的最前列。
For the past 10 years younger composers like Philip Glass have been on the cutting edge in composing operas that defy most of the traditional rules of writing music.
本论文试图研究探讨普契尼的艺术创作心理和歌剧《图兰多》的艺术特色。
This thesis is to study Puccini s psychology of creation and the artistic characteristics of the opera Turandot It is derided into three parts.
本论文试图研究探讨普契尼的艺术创作心理和歌剧《图兰多》的艺术特色。
This thesis is to study Puccini s psychology of creation and the artistic characteristics of the opera Turandot It is derided into three parts.
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