第一章，对歌仔戏及其生存环境作简要概括。
The first chapter, a brief summary of the Gezi Opera and its living environment.
为什么透过歌仔戏的唱念作打，剧情内容可以变得丰富又生动？
Why can Ge-Zai opera make the plots more abundant and colourful through singing, chanting, gesturing , and fighting?
二十几岁才开始走入歌仔戏的世界，这位是“祖师爷的女儿”，将会我们讲述她怎样的故事。
Twenties began into the opera world, this is the "ancestral home of her daughter," how will we tell her story.
本文从多学科的视角分析歌仔戏唱腔音乐，以期更客观地认识、把握歌仔戏这一特殊戏曲剧种音乐的创腔规律。
The thesis analyzes the music of Gezi Opera using the multi-subjects viewing Angle, and aims to understand and grasp the law of Gezi Opera's music more objectively.
本文从独具闽南特色的地方音乐出发，阐述了闽南音乐如高甲戏、芗剧（歌仔戏）、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。
Taking local music with South Fujian characteristics as starting point, the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia.
本文从独具闽南特色的地方音乐出发，阐述了闽南音乐如高甲戏、芗剧（歌仔戏）、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。
Taking local music with South Fujian characteristics as starting point, the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia.
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