《画与歌》是一本诗集的名字，其中大部分的诗都是这个时期写的。
Chhabi o Gan, Picture and Songs, was the title of a book of poems most of which were written at this time.
从武山秧歌的许多优秀作品中，可以看到它的诗、歌与舞决不是一种机械的地凑合。
Wushan from Yangko many outstanding works, we can see that it's poetry, song and dance is by no means a machinery to make do.
它是音乐一种独特的艺术表现形式，并随着抒情诗的兴起而繁荣，是诗与歌的完美结合。
It's a unique artistic expression of music, a harmonious blend of poem and music which boomed with the rise of lyric.
不仅戏剧起源于仪式活动，诗、歌、舞也与仪式活动有密切的关系。
Not only did the drama originate from ceremony, but also poetry, song, and dance bore a close relation to ceremony.
从语言学角度探索中国古代诗体之源，在追寻古诗体沉淀轨迹过程中感受到诗与歌结合的紧密可演化为该诗体是否与劳动大众联系紧密这一问题。
Trying to track down the source of ancient style poetry in light of linguistics. If the ancient poetry was closely combined with the people, it will be widely popular.
将《橘颂》与《弹歌》作一番比较，显示屈原的《橘颂》才真正完成了咏物诗的创格。
A comparison between Tangerine Ode and Bamboo Bow Ode shows that only Qu Yuans Tangerine Ode created the standards of object-chanting poetry.
在此基础上，乐器与歌诗的联系更加紧密了。
The art of musical and ballad poetry developed into further prosperity.
第三，在文人创作的影响下，吴歌西曲虽然展现出含蓄、精美的一面，但乐府与文人诗在文人心中的地位仍旧不相同。
Third, under the influence of literary creation, although"Wuge Xiqu"shows subtle and delicate side, but the verse and poetry writers in the literary mind still own different position.
在士人的参与下，乐器演奏与歌诗创作之间的联系进一步加深了。
With the participation of the scholars, the link between Musical Instruments and the ballad composition further deepened.
而敦煌歌辞的民间文学性质，讲唱文学、声诗与戏弄对其创作的渗透等，则是形成敦煌歌辞鲜明叙事色彩的重要原因。
The penetration of the folklore quality, speaking and singing literature, sound poem, and play is the important reason to form bright Dunhuang poem.
而敦煌歌辞的民间文学性质，讲唱文学、声诗与戏弄对其创作的渗透等，则是形成敦煌歌辞鲜明叙事色彩的重要原因。
The penetration of the folklore quality, speaking and singing literature, sound poem, and play is the important reason to form bright Dunhuang poem.
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