因此，在审美史上，音乐审美模仿论是功不可没的。
So, in the history of aesthetics, the aesthetic imitation of music is definitely not to be neglected.
模仿论是西方文艺美学的开端，它是最早关于艺术本质和起源的理论。
The imitation theory of art is the beginning of western literary aesthetics, which is the earliest theory about the nature and source of art.
理论论与模仿论作为儿童心理理论研究中最具影响的两大解释模型存在较大争议。
As two of the most representative paradigms in interpretation model of children's theory of mind, theory theory and simulation theory were under debate.
基于这些证据我们讨论了当前认知科学领域一种对具身认知的全新解释框架——具身模仿论。
According to these proves, we discussed the embodied cognitive theory -a new explanation of embodied cognition in current cognitive science field.
丹托面向当代艺术实践，指出传统模仿论在规定这种新兴艺术方面的乏力，给出了以“艺术界”为核心的新的定义框架。
Facing the practice of contemporary art, Danto points out the limitation of defining the new art with traditional imitation theory and provides a new framework of definition centering on"artworld".
模仿论是一种理性主义的美学观，它肯定实在世界的中心地位和艺术家的艺术表现以及艺术符号可以真实地再现实在世界。
Theory of imitation is a kind of rationalist aesthetic conception which admits that the central position of reality and artists' artistic expression and art symbols can truly reproduce reality.
模仿论是一种理性主义的美学观，它肯定实在世界的中心地位和艺术家的艺术表现以及艺术符号可以真实地再现实在世界。
Theory of imitation is a kind of rationalist aesthetic conception which admits that the central position of reality and artists' artistic expression and art symbols can truly reproduce reality.
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