有一点不同在于后来添加和形状和文字比较小，因此我调整了图层样式来适应它。
The one difference is that because the objects/text is smaller, I adjusted the layer styles to suit.
清单10显示了我们想要支持的样式标签以及关联的说明文字。
Listing 10 shows the style tags that we want to support and the associated labels.
所以您必须采用文档/文字非包装的样式或某种RPC样式。
So you must use the document/literal, non-wrapped style or one of the RPC styles.
角色的名字要采用大写字母排字，而对白则采用常规文字样式。
Write character names with capital letters but write dialogue text normally.
我给这一层应用了和早先的文字图层同样的投影样式，但是更加暗一些。
I've used the Drop Shadow in the same way as with the text earlier (i.e. to create a highlight) but much fainter this time.
可以通过在创建表查看器时将多选方式作为样式参数的另一位（以文字表示）添加，将表查看器更改为多选方式。
We'll change it to multiselect by adding it as another bit (literally) of the style argument when we create the table viewer: new TableViewer(sash_form, SWT.BORDER | SWT.FULL_SELECTION | SWT.MULTI);.
因此，如果您预先考虑您的服务的互操作性，我们将会强烈建议您计划在您的Web 服务中使用文档-文字样式。
Thus, if you anticipate any interoperability with your services, we would strongly advocate that you plan on using the document-literal style for your Web Services.
受过音乐训练的人可以更好地做到这点,因为他们学过了如何从旋律和声中分辨出音符音调.这点做得越好,你的阅读水平就可能越高,因为你可以把文字当作某种样式.
People who are musically trained are better at picking up these patterns because they learn to recognise notes and pitches within melodies and harmonies.
在任何文字的样式中，href属性都是不可用的，这样图形链接就不再起作用了(清单14和图2)。
Under any literal style, the href attribute is not available, so the graph linkage is lost (see Listing 14 and Figure 2).
CSS和xsl格式化对象(XSL - FO)都假设它们会把各种样式的文字安排在一行中，比如章节、段落和句子等等。
Both CSS and XSL Formatting Objects (XSL-FO) assume that they're styling words in a row: chapters, paragraphs, sentences, and so on.
相反，显示一段简短而有意义的说明性文字，一旦选定明确的样式建议，就显示一个包含完整替换文本的预览窗口，这样会更有意义。
Instead, it would be better to display a short but meaningful label, and to display a preview window containing the full replacement text, as soon as a specific style proposal is selected.
文档/文字的样式在哪里定义
理由是样式手册中考虑的更多的是关于标点符号的用法，而不是文字排版。
The reason is that style manuals are concerned mostly with punctuation, not typography.
然后我只需要给每一个形状和文字加上4—10步的样式。
为了说明这一点，我打开Powerpoint，随手抓起一个实际的缺省样式然后随便在上面写点文字。
To illustrate this idea I opened up Powerpoint, grabbed an actual default theme at random and threw some type on it.
点击文字图层，右键选择栅格化。给它添加图层样式（看图设置），然后使用软笔刷和相片在上面擦拭下效果。
Right Click on the Type layer, then choose Rasterize Type. Add some style on it. Erase some parts with the Eraser Tool (E) using à softbrush.
这种方法包括新模板中的任何图形和文字，也包括样式。
This method includes any graphics and wording that exists in the new template, as well as including styles.
带有文字的操作模式（文档／文字的）的文档样式。
Document style with operation mode literal (document/literal).
斜面和浮雕——使用这个样式是为了加重投影的高光并且使得文字更加有浮雕效果。
I've used this to double-over the drop shadow highlight and give it even more of an embossed feel.
诗是诗的内容在散文的文字里得以自由、纯粹、完整表现的文学样式。
Poem is a style of literature in which its content can be expressed freely, purely and completely by using the writing of prose.
传统的海军标图中简单的图形和简练的文字注记，已经不能适应瞬息万变的作战样式和战场环境。
In traditional Navy Plotting, there are simple figures and concise character notes which haven t been fit for the campaign mode and field environment.
取得目前视觉化样式用来绘制内含文字的控制项框线之色彩。
Gets the color that the current visual style USES to paint the borders of controls that contain text.
以下是几个最常被用到与文字样式有关的css属性。
Here are the most commonly-used CSS properties related to text.
每一个不同的文字颜色和样式。
最后，时尚是一种概念系统评估一个样式的文字来表达短暂的价值，并在视觉细节的变化是症状，而不是决定因素。
Ultimately, fashion is a conceptual system expressed by words evaluating a style's ephemeral worth, and changes in visual details are symptomatic, rather than determinative.
此文字是根据语言注解样式，从来源衍生而来的。
The text is derived from the source based on the language's comment style.
取得由资料控制项栏位显示之任何文字基础内容的样式。
Gets or sets the text that is displayed in the footer item of a data control field.
其基本样式包括由拱门连接的两层建筑和上方的檐口或阁楼，作为浮雕或雕刻文字的基座。
The Basic form consisted of two piers connected by an arch and crowned by a superstructure, or attic, that served as a Base for statues and Bore inscriptions.
其基本样式包括由拱门连接的两层建筑和上方的檐口或阁楼，作为浮雕或雕刻文字的基座。
The Basic form consisted of two piers connected by an arch and crowned by a superstructure, or attic, that served as a Base for statues and Bore inscriptions.
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