学堂乐歌的后期，自李叔同之《春游》诸歌始，才有了中国人自己作曲的尝试。
But in their later period, beginning with Li Shutong's Spring Outing, tunes were composed to the school songs.
而之所以形成这种女性观，则源于当时提倡女权的社会背景和李叔同个人的生活经历。
The formation of this viewpoint could be originated from the social background of advocating female rights and his personal .
研究李叔同的音乐创作和音乐思想，必须追溯《国学唱歌集》的出版和《音乐小杂志》的创刊。
In studying li Shutong's musical creation and musical thinking, we must trace back to the publication of Collection of Songs from Traditional Chinese Culture and Minor music Magazine.
李叔同开创了中国现代艺术教育、戏剧表演、艺术广告等多个领域的先河，然而他又止于开创各种“先河”而已。
Li Shutong initiated Chinese contemporary art education, art expression and art advertisement, however, he never proceeded with them.
在中国近代学堂乐歌创作领域，李叔同具有举足轻重的地位，而在任教浙江省立第一师范学校时期，又是他学堂乐歌创作的高峰期。
Li Shutong was prominent in the area of China's modern school songs creation, and his creation upsurge was seen during his teaching period in Zhejiang No.
在中国近代学堂乐歌创作领域，李叔同具有举足轻重的地位，而在任教浙江省立第一师范学校时期，又是他学堂乐歌创作的高峰期。
Li Shutong was prominent in the area of Chinas modern school songs creation, and his creation upsurge was seen during his teaching period in Zhejiang No.
在中国近代学堂乐歌创作领域，李叔同具有举足轻重的地位，而在任教浙江省立第一师范学校时期，又是他学堂乐歌创作的高峰期。
Li Shutong was prominent in the area of Chinas modern school songs creation, and his creation upsurge was seen during his teaching period in Zhejiang No.
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