采用传统文献记载和权威着作的论述界定庄稼地精神和庄稼地绘画存在的现实意义；
On one hand, the author uses traditional documents and authoritative theory to define the existing realistic meaning of crop land painting and it's spirit;
采用传统文献记载和权威着作的论述界定庄稼地精神和庄稼地绘画存在的现实意义；
On one hand, the author uses traditional documents and authoritative theory to define the existing realistic meaning of crop land painting and it's spirit;
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