本真的存在是人类所追求的终极目标。
可以说，生成性是美的最高规定性，“生成”是美的本真的存在状态。
It can be said then that the generative nature is the highest definitive nature of beauty and "generation" is the essential existence of beauty.
此在只有聆听“良知”的呼唤，才能领悟存在的意义并回归本真的存在。
Therefore, only through listening to the voice of 'conscience 'can we understand the meaning of existence and return to the authentic existence.
在分析了弱者在文学主体间性视域中的存在状况之后，我们尝试着转入更大的社会场景中，考察弱者在现实生存中非本真的存在。
After the analysis of the situation of the weak in literature intersubjective theory, we try to move on to the big social background to see the unreality of the existence of the weak.
本文以《审判》为对象，尝试回归作品内部的个人经验式阅读，得出与理论先行的读解方式不尽相同的新解，即从不断的追问中确立作品本真的存在。
Taking The Trial as an example, the present writer tries to read Kafka with her own experience, forming different ideas from those preconceived before reading.
这些神圣大地上的身影，以现代眼光去言说存在，探讨生命本真的诗意。
The silhouette on the sacred ground tells existence with modern perspective and discusses the poetic meaning of life.
异化的人性中，虽然恶的成份遮掩了本真的善性，但本真的善性并不因此而不存在。
Yet, even though evil elements might obscure their original good nature that does not mean this good nature does not exist.
在海德格尔那里，自然言说具有存在的言说、沉默的道说、本真的言说和诗性的言说四重内涵，且具有独特大地根植性。
In Heidegger, natural speech has four contents as the existent speech, the silence Sagen, the real speech and the poetic speech, which has unique embeddedness of earth.
这就使得建立在此在世界上的真理观和本真的语言失去了存在的基础。
Therefore, the foundation of the idea of truth and the original language, which is based on the Dasein, disappears.
此在和世内存在者在作为意蕴整体的世界中展开；在畏惧本真的被抛存在中此在逃向常人的世界中；
Dasein and beings can showed itself in a world as whole implications, Dasein dread of authentic thrownness fell into common people's world;
此在和世内存在者在作为意蕴整体的世界中展开；在畏惧本真的被抛存在中此在逃向常人的世界中；
Dasein and beings can showed itself in a world as whole implications, Dasein dread of authentic thrownness fell into common people's world;
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