在传奇、昆曲衰落后，曲牌体的柳子戏屹立在板腔体的戏曲海洋中，成为中国戏曲史上的独特存在。
After the decline of legend and Kunqu, Liuzixi of Qupai style stood in the ocean of Banqiang style and then displayed great influence on several kinds of Chinese drama.
而现存宋词中三声通押之调历来被视为词者多可以曲牌视之，或近于曲体。
The existing Sanshengtongxie of Song's Ci has always been regarded as Ci, most of which could be regarded as the names of tunes or nearly as the style of Qu.
而现存宋词中三声通押之调历来被视为词者多可以曲牌视之，或近于曲体。
The existing Sanshengtongxie of Song's Ci has always been regarded as Ci, most of which could be regarded as the names of tunes or nearly as the style of Qu.
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