对于古典主义和浪漫主义这两种书法艺术思潮在晚明的对立局面如何作出更深刻的剖析和界定，这是第一个焦点之所在；
The first point is how to make a more profound analysis and definition about the confrontation of the two calligraphy thoughts of the latter Ming dynasty.
古典主义和浪漫主义两种书法艺术思潮在天然的对立之后如何完美地融合在一起，共同支撑晚明书法艺术亮丽的天空，这是第二个焦点所在。
The second point is how classicism and romanticism calligraphy ideological trend to fuse perfectly together to support the latter Ming dynasty calligraphy after natural antagonism.
国民阶级的晚出这一见解是侯外庐先生在进行亚细亚的古代与古典的古代的比较研究中提出来的。
The view about the late spring of the citizenry was proposed by Mr. Hou Wailou when he researched the comparison between the ancient Asia and the ancient Greece.
国民阶级的晚出这一见解是侯外庐先生在进行亚细亚的古代与古典的古代的比较研究中提出来的。
The view about the late spring of the citizenry was proposed by Mr. Hou Wailou when he researched the comparison between the ancient Asia and the ancient Greece.
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