沟口健二关于幻念、苦难与不公等悲剧故事的晚期时代剧在西方受到了程度极高的接受。
Mizoguchi's late period films, with their tragic stories of delusion, suffering and injustice, were very well received in the west.
但在亚瑟·柯南·道尔从坟墓里爬出来之前——通常是别人从坟墓里爬出来，一个棘手的壮举——这已经不是你平时的马车和穿紧身胸衣的时代剧啦！
But before Sir Arthur Conan Doyle starts rolling in his grave - always a tricky feat for someone who was buried standing up - this is not your average carriages and corsets period drama.
作者追求的是文人家班场上演出的观众效果，且特别注重抒情意味浓厚的曲辞，无论从时代剧场还是从文学中的剧诗角度考量，均不失为一种有益的尝试。
The writer aimed at the audience effect on a familial theater valued the lyrics full of emotions which was a beneficial attempt either in terms of times and literature.
作者追求的是文人家班场上演出的观众效果，且特别注重抒情意味浓厚的曲辞，无论从时代剧场还是从文学中的剧诗角度考量，均不失为一种有益的尝试。
The writer aimed at the audience effect on a familial theater valued the lyrics full of emotions which was a beneficial attempt either in terms of times and literature.
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