消费社会促生了以“物质审美化与审美物质化”为核心的日常生活美学。
The consuming society favors the living aesthetics whose core is "material aestheticized and aesthetics materialized".
实用主义美学观与翻译研究。 应注重审美经验与日常生活经验的联系；
Its aesthetic view enlightens the translator on the attention to the relation between aesthetic experience and everyday experience.
日常生活的审美化应该是美学的本根。
而对“日常生活审美化”更应该进行谨慎的反思，应该把这一美学现象纳入美学批评的框架中来观照。
So there should be a prudent reflection on the aesthetic consciousness and this aesthetic phenomenon should be included in the frame of aesthetic criticism.
第一章以《消费文化与后现代主义》和《重构美学》为着眼点，梳理了日常生活审美化的理论渊源。
The first chapter of "consumer culture and post-modernist" and "aesthetic Reconstruction" focus, combing the daily life of aesthetic theory of origins.
“日常生活审美化”以及由它衍生的文艺学科边界问题的论争，无疑是近三年来文艺学、美学界最受瞩目的话题。
The debate over the "aestheticization of daily life" and consequent issues about literature has been a hot topic in the literary and aesthetic circles in the past three years.
日常生活审美化研究，它既可积极发挥审美的人文价值功能，亦可为当代美学带来新局面。
The research either plays a active role for promoting humanism value of the aesthetics, or brings with a kind of fresh air for modern aesthetics.
“怪诞”是一种历史悠久、文化底蕴深厚，在日常生活和文艺作品中都普遍存在的美学范畴。
Strangeness ", having long history and deep cultural inside information, is a kind of aesthetics category which exists widely in everyday life and literary and artistic works."
日常生活的审美越来越受到美学界的关注，要使“天天如此”的生活变得更加丰富多彩，审美心态的养成非常重要。
It is very important to form the aesthetic attitude in daily life to make your daily life more colorful.
日常生活的审美化非但没有给美学带来多少荣耀，相反使美学执着于“此岸”，进而走向异化、走向反美学。
Aestheticism for daily life does not bring honor to aesthetics. On the contrary, it makes aesthetics stick to "this-side" and further into alienation and anti-aesthetics.
日常生活的审美化非但没有给美学带来多少荣耀，相反使美学执着于“此岸”，进而走向异化、走向反美学。
Aestheticism for daily life does not bring honor to aesthetics. On the contrary, it makes aesthetics stick to "this-side" and further into alienation and anti-aesthetics.
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