本文主要讨论德国新表现主义的文化身份问题。
This article discusses the cultural identity of German New Expressionism.
最后对德国新表现主义所体现的文化身份问题的复杂性进行了简要的总结。
In the conclusion, the complexity of cultural identity represented by German New Expressionism was analyzed briefly.
布莱希特提倡用新的技巧表现现实，这就给表现主义留有余地。
Berlot Brecht advocated use the new skill performance reality, this gave the Expressionism to be conservative.
表现主义运动复活了一种新的、解放的人性，其文艺的“主观性”原则体现了“狂飙突进时期”的人性和博爱内容。
The Expressionist movement revived a new and emancipated human nature, and its literary subjectivity echoes the human nature and love advocated by the Storm and Stress movement.
表现主义运动复活了一种新的、解放的人性，其文艺的“主观性”原则体现了“狂飙突进时期”的人性和博爱内容。
The Expressionist movement revived a new and emancipated human nature, and its literary subjectivity echoes the human nature and love advocated by the Storm and Stress movement.
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