斯宾诺蒂继续说：“我们将胶片进行扫描处理，并将两种素材进行对比，再将这两种素材转换成胶片进行结果比对。
“We then went through the process of scanning the film and comparing the two files, ” Spinotti continues, “putting both files back on film to compare the results.
斯宾诺蒂说：“奇妙的、历史性的根本突破在于，作为一名电影人，你可以做到实时看到你拍摄的影像。”
"The magical, fundamental, historical breakthrough is that as moviemaker, you are actually looking at what you are doing," says Spinotti.
为此在德国蒂宾根和雷根斯堡大学眼科医院展开了一项研究。
That is the reasoning behind a study being carried out in the eye hospitals of Tübingen and Regensburg universities, in Germany.
斯宾诺蒂向我们讲述了F23极高的感光能力给他们的帮助。 “有一场戏，我们在一条非常长的公路上拍摄。
Spinotti relates how the camera’s extreme sensitivity to light was applied to story: “In one scene, ” he explains, “we shot on an incredibly long stretch of road.
这份成果是由加拿大麦克马斯特大学的克里斯滕·波斯和德国蒂宾根大学的维若娜·斯楚恩曼共同领导的研究团队发现的，并发表于本周的《自然》期刊上。
The work was carried out by a team led by Kirsten Bos at McMaster University, Canada, and Verena Schuenemann at the University of Tubingen, Germany, and is published in this week's Nature.
这份成果是由加拿大麦克马斯特大学的克里斯滕·波斯和德国蒂宾根大学的维若娜·斯楚恩曼共同领导的研究团队发现的，并发表于本周的《自然》期刊上。
The work was carried out by a team led by Kirsten Bos at McMaster University, Canada, and Verena Schuenemann at the University of Tubingen, Germany, and is published in this week's Nature.
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