斯提的伊拉克展馆位于威尼斯双年展第54号，在这次展览上，他的作品表达了他对家乡河流与群山亲密感情，因为在这一切的背后，是他颠沛流离生活的真实写照。
On display at the Iraqi Pavilion at the 54th Venice Biennale, Mr Siti's works convey an intimacy with this region-the river, the mountains-that belies the peripatetic life he has led.
城里很多人没有大块的地方可以种植，城市园艺组织“阿那卡斯提亚园艺活”的丹尼斯·切斯塔特说，其实人们并不需要大块的地来种东西。
And for those who don't have access to a large space, Dennis Chestnut of the urban gardening group, Groundwork Anacostia, says you don't really need one.
斯提的作品还会在位于威尼斯双年展的伊拉克展馆展出至11月27日。
Walid Siti’s work is also on display at the Iraq pavilion at the Venice Biennale until November 27th.
斯提的作品还会在位于威尼斯双年展的伊拉克展馆展出至11月27日。
Mr Siti's work is also on display at the Iraq pavilion at the Venice Biennale until November 27th.
那晚提利昂·兰尼斯特梦见了一场将维斯·特洛伊的山脉变的血红的战役。
That night Tyrion Lannister dreamed of a battle that turned the hills of Westeros as red as blood.
凯冯·兰尼斯特亲眼见过龙石岛，他很怀疑洛拉斯·提利尔搜索了那个古老要塞的每寸土地。
Kevan Lannister had seen Dragonstone with his own eyes. He doubted very much that Loras Tyrell had searched every inch of that ancient stronghold.
第二章重点分析德谟斯提尼与埃斯基尼斯在诉讼演说中对彼此私人生活所进行的揭示与攻击。
In Chapter Two, the author discusses Demosthenes and Aeschines' mutual slanders on each other's private life.
第二章重点分析德谟斯提尼与埃斯基尼斯在诉讼演说中对彼此私人生活所进行的揭示与攻击。
In Chapter Two, the author discusses Demosthenes and Aeschines' mutual slanders on each other's private life.
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