斯拉文斯基的书勉强可以一读，不过笨拙的表述将他的弱点暴露无遗。
Slawenski's prose is serviceable at best, and he has a weakness for awkward formulations. ("Yet Ray has not depleted all of the reader's condemnation.
他也体现出对多角度和谐音以及类似巴赫的精细旋律的嗜好[桑德海姆表明过他“热爱巴赫”，但是他最喜欢的是勃拉姆斯到斯特拉·文斯基时期的古典音乐]。
He also displays a penchant for angular harmonies and intricate melodies reminiscent of Bach (Sondheim has claimed that he "loves Bach" but his favorite period is Brahms to Stravinsky). [6].
斯拉·文斯基的书勉强可以一读，不过笨拙的表述将他的弱点暴露无遗。
Slawenski's prose is serviceable at best, and he has a weakness for awkward formulations. (" Yet Ray has not depleted all of the reader's condemnation. ").
斯特拉·文斯基写过一些很著名的芭蕾舞曲，如《火鸟》、《彼得·鲁什卡》和《春之祭》。
Stravinsky wrote some of his best-known music for ballets: The Firebird, Petrushka, and The Rite of Spring.
斯拉·文斯基的书勉强可以一读，不过笨拙的表述将他的弱点暴露无遗。
Slawenski's prose is serviceable at best, and he has a weakness for awkward formulations. " Yet Ray has not depleted all of the reader's condemnation."
斯拉·文斯基的书勉强可以一读，不过笨拙的表述将他的弱点暴露无遗。
Slawenski's prose is serviceable at best, and he has a weakness for awkward formulations. " Yet Ray has not depleted all of the reader's condemnation."
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