拉德斯托克引用了大量坚持认为精神错乱与梦具有相似性的观点来开启对这一课题研究的篇章。
Radestock begins the chapter in which he deals with the subject by citing a number of opinions which insist on the analogy between insanity and dreaming.
但有一点可以肯定，这些结论并非完全与拉德·斯托克的观测一致(168页)，我们最容易记住的梦通常是那些最奇特的梦。
To be sure, these conclusions are not entirely consistent with Radestock's observation (p. 168), that we most readily retain just those dreams which are most peculiar.
他有几次从离奥特拉德诺耶不远的地方经过，回到莫斯科，但是一回也没有到罗斯托夫家里去。
Several times he had been in Moscow, and in travelling had passed not far from Otradnoe, but he had not once been at the Rostovs'.
文章试图从叙述模式、叙述视角、人物塑造和创作理念四个方面分析康拉德小说《诺斯托罗莫》所体现出的现代主义的艺术风格。
The art style of modernism in Nostromo by Conrad can be analyzed in four aspects: narrative model, narrative perspective, character molding, and creation thought.
《诺斯托罗莫》被公认为是康拉德的小说代表作之一，但在目前我国的外国文学研究中它却没有得到应有的重视。
Nostromo is often hailed as one of Conrad's masterpieces. But it regrettably fails to attract the critical attention it deserves in recent Chinese foreign literature studies.
论文首先简要地介绍了作者康拉德，他的小说的艺术特点，文学现代主义的崛起，以及小说《诺斯托罗莫》 的故事情节。
To start with, the thesis offers an introduction to the author Joseph Conrad, some features of his fiction, the rise of literary modernism, and a brief summary of the story of Nostromo.
论文首先简要地介绍了作者康拉德，他的小说的艺术特点，文学现代主义的崛起，以及小说《诺斯托罗莫》 的故事情节。
To start with, the thesis offers an introduction to the author Joseph Conrad, some features of his fiction, the rise of literary modernism, and a brief summary of the story of Nostromo.
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