为什么他们没有像文艺复兴时期的欧洲艺术家那样发现几何透视法呢？
Why did they not discover the geometric perspective as European artists did in the Renaissance?
这项技术被用在14世纪艺术家乔托·迪·邦多纳的作品上，评论家认为此君是意大利文艺复兴的奠基者之一。
The technique was used on works by the 14th century artist Giotto di Bondone, considered by critics to be one of the founders of the Italian Renaissance.
自1550年乔尔乔·瓦萨里出版《艺苑名人传》记述文艺复兴时期诸位大师的生活之时起，艺术家一直是一个回报颇丰的题材。
Ever since 1550, when Giorgio Vasari published his lives of the Renaissance masters, artists have been a rewarding subject.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Italian Renaissance artists tried to ignore winter.In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
文艺复兴时期的后辈艺术家们通过模拟大师的作品来学习。
During the Renaissance apprentice artists learned by replicating the works of the masters.
文艺复兴时期的艺术家们尤其喜欢以不同的种族特征来描绘这三位智者：一个欧洲人，一个似乎是亚洲智者，另一个则总是非洲黑人。
Renaissance artists in particular enjoyed portraying the wise men with different racial characteristics: one European, one vaguely Asiatic magus and always a black African.
塞吉奥：文艺复兴时期意大利的确有很多伟大的艺术家。
Sergio: Italy did have many great artists during the Renaissance.
集科学家，工程师，音乐家和伟大的艺术家于一身的李奥纳多·达芬奇就是文艺复兴时期人类的原型。
SCIENTIST, engineer, musician and great artist, Leonardo da Vinci is the archetypal Renaissance man.
“乔治喜欢诺曼 洛克威尔（NormanRockwell），麦克斯菲尔德帕里什以及意大利文艺复兴传统下的写实主义艺术家”林兹勒（Rinzier）说道。
"George likes figurative artists in the tradition of Norman Rockwell Maxfield Parrish and the Italian Renaissance " Rinzler said.
北艺术家越来越多地前往意大利他们在那里接触到古老的艺术，以及艺术的文艺复兴时期意大利。
Northern artists increasingly traveled to Italy where they were exposed to the art of antiquity as well as the art of Renaissance Italy.
米开朗基罗被认为是文艺复兴时期最伟大的艺术家之一。
Michelangelo is considered to be one of the greatest artists in renaissance.
之后，罗马在文艺复兴时期成了各派艺术家的圣地。
Later, during the Renaissance, Rome became a mecca for artists of all kinds.
为何艺术家要从文艺复兴的古典主义转到矫饰主义上来？
Why do you think artists would change from renaissance classicism to mannerism?
文艺复兴时期的艺术家们尤其喜欢以不同的种族特征来描绘这三位智者：一个欧洲人，一个似乎是亚洲智者，另一个则总是非洲黑人。
Renaissance artists in particular enjoyed portraying the wise men with different racial characteristics: one European, one vaguely Asiatic magus and always a black African.
他多才多艺，是真正意义上的文艺复兴时期的艺术家。
He was a man of many talents, a Renaissance man in the true sense of the world.
从奴隶社会到文艺复兴时期，女性只作为被创作的符号应用在男性艺术家的创作中。
From slave society to Renaissance, women are only applied to the male artist 's creation as a creating symbol.
光赋予万物以色彩，艺术家对光色有目的的表现是在文艺复兴以后。
Light gives colors to everything in the world. Artists' began to express light and color in paintings on purpose after Renaissance.
忍者神龟都是以文艺复兴时期的艺术家的名字命名的：达芬奇，米开朗琪罗，拉斐尔，还有多纳泰罗。你还记得谁是谁吗？
The Teenage Mutant Ninja Turtles are named after four Renaissance artists: Leonardo da Vinci, Michelangelo, Raphael, and Donatello. Do you still remember which is which?
他通常被认为是谁在作出贡献的意大利文艺复兴时期伟大的艺术家线的第一款。
He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
文艺复兴时期的艺术家从传统的地位和心理中解放出来，在观念上形成了神性艺术家的形象，他坚定地把自己安排在画面的中心位置。
Then artists in the Renaissance emancipated from traditional social status and mentality and the image of "divine artist" emerged, so they firmly put themselves in the center of painting.
在这里，加蒂意大利文艺复兴时期艺术家达芬奇画像联合象牙，米开朗基罗，拉斐尔和佩鲁吉诺，与古代哲学家和帝王浮雕的贝壳。
Here, Gatti combined ivory portraits of the Italian Renaissance artists Leonardo, Michelangelo, Raphael and Perugino, with cameos of ancient philosophers and emperors.
意大利文艺复兴时期的艺术家试着去忽视冬季，事实上，当勃鲁盖尔开始表现雪，冰以及厚实的衣物的时候，这成为了一种背叛与断言欧洲北部人身份的行为。
Italian Renaissance artists tried to ignore winter. In fact, when Bruegel dwelt on snow, ice and heavy clothes, it was an act of rebellion and an assertion of north European identity.
文艺复兴以前的艺术家处于社会的底层，其低下的社会地位决定了古代的艺术家只留下了极少的自画像，而且不得不面对来自社会的重重压力。
Before the Renaissance artists belonged to the lowest level of society, which determined that only few artists left their self-portraits and had to face pressures from the society.
在早期日耳曼人的所谓“蛮族”艺术、中世纪的哥特艺术和文艺复兴时期以博斯、勃鲁盖尔为代表的艺术家创作的作品中，可以感受到强烈的表现主义倾向。
That tendency could be strongly felt in the 'barbaric' arts of early Germanic people, the medieval Gothic art, and works by such Renaissance artists as Bosch and Bruegel.
文艺复兴以来备受推崇的艺术家个体的创造性价值，以1968年罗兰·巴特的文章《作者之死》的发表为标志，开始遭到人们的质疑。
The highly-venerated creative value of the individual artist since the Renaissance has come under question, with Roland Barthes's 1968 essay of Death of the Author as the symbol.
西方自从文艺复兴时期起，艺术家开始有目的地系统地研究光影语言。
In the Western world, since the Renaissance, the artists began a systematic study of the language of light and shade.
西方自从文艺复兴时期起，艺术家开始有目的地系统地研究光影语言。
In the Western world, since the Renaissance, the artists began a systematic study of the language of light and shade.
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