长篇小说作为一种文类文体，从其诞生之日起，就内蕴着强烈的文体自觉意识，成为对传统文体惯例的冲破与偏离的先锋。
As a kind of genre, novel has been have strong conciousness to break through and deviate traditional style convention from its birth day.
现代歌词作为抒情文类之一种，其文体特征总体上类同于“书写—阅读”式的诗歌，但其艺术生成却是通过谱曲并以人声为传播媒介，以听觉为接受方式。
The style of modern song lyrics is generally similar to the"writing-reading"style of poetry, but its artistic generation is via music with human sound as its medium and hearing as reception.
文学作为人类意识的一种形式，实际上具有三个向度：文本、文体、文类。
As a form of man's consciousness, literature has three virtual dimensions: text, style and genre.
本文拟从小说文体入手，对19世纪以前的中西游历小说展开文类学的平行研究。
Starting with this, My thesis intend to do some analogy studies of china-west traveling novels before 19th century.
文体作为文学的艺术形式，就是文学的本身和存在，文类是它的先验形式，语体、文本和风格是它的主要构成。
Literary style, as a literary art form, is literature itself and its existence. It is mainly made up of language style, text and form. And genre is its prior form.
文体作为文学的艺术形式，就是文学的本身和存在，文类是它的先验形式，语体、文本和风格是它的主要构成。
Literary style, as a literary art form, is literature itself and its existence. It is mainly made up of language style, text and form. And genre is its prior form.
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