本文是《主流话语与文学话语的矛盾冲突》课题的第二篇。
This paper is the second article for the research topic entitled the conflict between main stream discourse and literary discourse.
以此构成文学话语形态的网络生存的整体状态就是文学形态语义场。
All above these compose a network, and its whole existent state is semantics scene of literary language modality.
在奥斯汀和塞尔的言语行为理论中，虚构的文学话语被认为是“不严肃”的。
Fictional discourse is regarded in the speech act theory developed by Austin and Searle as "non-serious" or "abnormal".
文章探讨了网络对文学活动的强大影响，进而闸述了后现代状态下网络文学话语的特点。
This paper makes an analysis of the impact of the internet on literature and the features of the internet literature.
以此，文艺学研究的基本任务应该是构建：文艺学研究的中心课题，似该是文学话语形态。
And then, the basic task of research of literature and art is to compose central subjects and literary language modality.
本文从文学史语境和文学话语成规意义层面讨论“古典主义”和“浪漫主义”概念的意义。
The meaning of the concepts classicism and romanticism is discussed in the context of the history of literature and the set rules and meaning of literature words.
这种写作立场通过在具像中呈现和在身体感受中展开，逐步构建起新的文学话语形式和写作形态。
This kinds of writing positions through have like in appear and not launched not constructing not for new literature words form and writing shape progressively in not experiencing at health.
因此，PI系统能力建构主要表现为文学话语建构。文学话语建构的机制是文学话语图式偏离与更新。
Therefore, PI competence construction chiefly proves to be literary discourse construction, whose mechanism is the refreshment and discourse deviation of the students schemata.
身为内布拉斯加大学的文学教授和沃尔特惠特曼档案馆联合主任之一，普赖斯先生说惠特曼每日要写十二封，“信中的话语与他判若两人”。
Twelve in one day “inhabiting the voice of another, ” notes Mr. Price, a literature professor at the University of Nebraska and co-director of the Walt Whitman Archive.
不用说，这个词对德里达来说至关重要，然而我们确实无法对话语进行分类，因此，我们恐怕不能称,德里达为文学理论家。
Needless to say, it's the central word in Derrida, which is nevertheless not classifiable or categorizable, and so for that reason we can't really say Derrida is specifically a literary theorist.
在旧历史主义的思想中，历史是话语或文学的背景。
As it's traditionally thought to be by the Old Historicism, history is a background to discourse or literature.
如果你曾学过外语，那么你就会知道我们没有可能总是将文学作品或者话语完完全全翻译得和原文一致。
If you've ever studied a foreign language, you know that it's impossible to convert exactly and for all time the literature or speech of any given language into another.
在文学结构主义看来，尤其在法国，深度语法结构分析和对话语的修辞分析是形影相随的。
In literary structuralism, especially in France, the analysis of deep grammatical structures went hand in hand with the analysis of rhetorical tropes (figures of discourse).
他们认为通俗文学应该有自己的一套话语体系，以区别于传统的以史传文化为中心的雅文学。
They thought popular literature ought to be characterized by a unique system of discourse, distinguishing itself from the traditional epic-centered elegant literature.
在文学理论的话语中，决定论的问题和怀疑论的问题是同等重要的。
This question of determinism is as important in the discourse of literary theory as the question of skepticism.
意象与话语，是文学的基本要素。
Imagery and discourse are the essential elements of literature.
文学经典建构是批评话语将契合自己最高标准的文本推入艺术界，使其获得中心地位和合法性的过程。
The establishment of literary classics is to ensure that texts of the highest standards by discourse critiques are placed in the center in the literary world and become legitimate.
文学变译可以通过话语权力的嬗变过程来阐释和评论。
Literary partial translation can be interpreted and evaluated through the changing process of discourse power.
1980年代中国文学知识分子话语回归的过程同时也是一个重返“人的文学”的过程。
The process of regressing of the intellectual's discourse of Chinese literature in the 1980s' was also one of re-entering into "the literature of human being".
当代文学批评话语中，在视听准则之外提出“以味论诗”的中国文论传统，无疑是一份不可忽视的思想资源。
In modern literature critic word, beyond visual and aural criterion, Chinese traditional flavor criterion is an idea resource which can not neglect.
幼儿文学修辞艺术的本质，是获取话语表达的最佳效果；
The essence of infant' s literature rhetoric art, is to obtain the best result that the words express.
外患“则主要指市场的追捧和文学批评的话语霸权。”
And the external trouble roots from the marketing propagation and the discourse hegemony in literary criticism.
作为耶鲁学派的代表人物之一，米勒提出了小说的语言话语本体理论，认为文学文本本身是异质的多元的。
As a representative of Yale School, Miller put forward the theory of discourse as the essence of all texts, which are themselves self-contradictory.
在媒体走向大众化时代的环境中，构建跨媒体传播的多元话语的文学与文学批评成为必然。
In the environment of the era that media have become popular, it has turned out to be inevitable to constitute literature and literal criticism of the multiple discourses that span media transmission.
题献，献辞写在文学，艺术，或音乐作品前，献给某人以示爱戴和敬仰的话语。
A note prefixed to a literary, artistic, or musical composition dedicating it to someone in token of affection or esteem.
题献，献辞写在文学，艺术，或音乐作品前，献给某人以示爱戴和敬仰的话语。
A note prefixed to a literary, artistic, or musical composition dedicating it to someone in token of affection or esteem.
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