进入全球化时代以来，比较文学和文化研究领域内出现了一个新的文化现象：流散现象以及伴随而来的流散写作。
In the globalization era, a new phenomenon emerged in the comparative literature and literature studies, that is, Diaspora and Diaspora literature.
引言部分对《夷坚志》和文学领域中神鬼文化的学术研究作一简单回顾，并说明本文写作的意义。
Foreword part makes a simple review of the studies on Yi Jian Zhi and ghost cultural in literature realm, and elucidates the meaning of writing.
翻译研究应集中探讨那些社会规范和文学规范，它们构成了译入语文化，而且直接影响着翻译过程。
The focus of translation studies should be on the socio-literary norms that govern the target culture and directly influence the process of translation.
跨文化研究的要旨不是强调中西文化差异，而是探询二者的同质结构，以融通中西文化，在此基础上锻造全新的、更加富有生命力的世界文学和文化形态。
The theme of Cross-cultural Scholarship is to discern Chinese-Western cultural homogeneity and melt both cultures and create a completely new vigorous world literature and culture.
本文以明清神魔小说中的妖怪形象为研究对象，试图从总体上归纳明清神魔小说中妖怪形象的特征与特质，探讨其文化意蕴、审美特征和文学功能。
This thesis sets images of monsters in supernatural evil-spirit novels of Ming and Qing as research subjects and tries to epitomize the characteristic and idiosyncrasy of it as a whole.
文学研究和文化研究的关系问题是近年来国内学术界颇为关注的热点话题。
The relationship between cultural studies and literary studies has come under heated discussion among domestic scholars in recent years.
也就是说，本文力图担负起文学流派的文化学理论建构和文学流派研究实践的双重任务。
That is to say, the dissertation is trying to construct culturology theory and study literary schools with it.
雷蒙德·威廉斯是英国现代著名的文艺理论家和文化批评家，他在文学研究和文化研究领域都做出了重要的贡献。
Raymond Williams is an English modern literary theorist and cultural critic, he has made an important contribution in the literary research and cultural studies fields.
目前学界对琴的研究多着重美学领域和文化领域，从文学视角的关注相对不够。
Current academic researches on Guqin mostly focus on aesthetic areas and cultural domain. Attention from literary perspective is relatively lack.
作为比较文学和文学理论交叉影响而形成的一个新学科，其研究对象是不同民族传统和不同文化体系之中的文学理论。
As a new subject formed by the cross influence of comparative literature and literary theory, its object is the literary theory of different national traditions and cultural systems.
作为比较文学和文学理论交叉影响而形成的一个新学科，其研究对象是不同民族传统和不同文化体系之中的文学理论。
As a new subject formed by the cross influence of comparative literature and literary theory, its object is the literary theory of different national traditions and cultural systems.
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