在语法文体论手段方面，主要使用了表示强调和尊敬的助词。
In aspect of means in the grammar of style, the main use of the particle for emphasis and respect.
本论文主要以文体论的角度分析了金学铁80年代的短篇小说的语言特征。
This paper mainly analyzes the stylistic point of view of HakcheolKim 80 gold short stories of language features.
在《文心雕龙》中“情”是一个重要的范畴，它贯穿创作论、文体论、鉴赏论的始终。
The feelings is an important category which impenetrate the theory of writing, the theory of style and the theory of appreciation in the book of the literary mind and the carving of dragons.
第二章介绍了《小说文体论》一书中提出的对小说进行文体分析的方法，并以此作为本文的分析模式。
Theoretic foundation is laid in Chapter Two: Leech and Short's method of analysis suggested in Style in Fiction is adopted for the present study.
杨红莉博士新近出版的学术专著《民间生活的审美言说——汪曾祺小说文体论》，是一部全面阐述汪曾祺文学特色与意义的力作。
Yang Hongli's newly-published book Civil-life Aesthetic Expression-Wang Zengqi's Novel Style presents a full account of Wang Zengqi's literary characteristics and significance.
并以《扁鹊传》和《宝命全形论》为例，介绍了不同文体医古文双语教学的具体实施方案；
Taking examples of Bianque Zhuan and Bao Ming Quan Xing Lun, this paper introduced concrete plans for implementation of double language teaching of different styles of ancient medical articles.
在中国古代文体演变史的研究中，长期存在着两种片面的观点，那就是一元单向论和寻章索句法。
In the study of Chinese ancient literary style, for a long time, there existed two unilateral standpoints that the unitary and one-way view and the word for word study method.
因此，本文沿用的是文体一元论，而非文体二元论或“多元论”的观点。
Therefore, this thesis follows the line of stylistic monism rather than stylistic dualism or 'pluralism'.
亚里士多德的“卡塔西斯”论是西方文艺理论和西方关学的标点性内容，影响到西方戏剧乃至其他文体。
Affecting the western drama and other styles, Aristotle's Katharsis theory is a remarkable content of western literary theory and western aesthetics.
本体论是对于文学本体的反省，这种反省又必须在总括的文学概念和具体的文体概念两个层面展开。
Ontology is the self-reflection for literary noumenon, which should expand from two parts, omnibus literature conception and idiographic style conception.
本体论是对于文学本体的反省，这种反省又必须在总括的文学概念和具体的文体概念两个层面展开。
Ontology is the self-reflection for literary noumenon, which should expand from two parts, omnibus literature conception and idiographic style conception.
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