文人画思想带动了水墨的运用。
The scholar paintings pushed the development of ink paintings.
至少新文人画不外是残破的文人画罢了。
New paintings up to the literati painting but just incomplete.
第二章是探讨赵孟頫的文人画美学思想。
The second section discusses the literal painting esthetics of Zhao.
并考察文人画与民间画之间的互动关系。
Then study the interaction of scholar painting and folk painting.
中晚期文人画又大兴。
中国传统文人画与中国古典园林是我国传统艺术的精华。
Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art.
这与消极避世，超脱孤寂的古代文人画创作是截然不同的。
An approach which was completely different from the detached life perspective of previous literati painters.
和中国传统文人画的创作方法一样，外师造化，中得心源。
It's the same with the Chinese tradition painting's creation method, outside teacher good fortune, heart source.
本文基于详尽的史料，指出文人画不能简单地等同为戾家。
This paper, based on ample historical materials, tries to argue that we can not simply identify literati painting with the li Jia painting.
文人画的产生，使中国绘画进入了一个新的领域和新的境界。
Chinese painting enters into a new realm owing to the emergence of literary painting.
随着主体在不同时代下的蜕变，文人画也是一个动态的过程。
With the spallation of the subject—the scholars, the scholar painting is actually a dynamic process.
本文通过时两者相似性的比较来论述中国文人画的美学特征。
This thesis dissertates the aesthetic features of Chinese literators' paintings by comparing their similarities.
本文前面追问董其昌倡导“文人画”的理念，是否具有当代性。
Formerly we have asked whether Dong Qichang's "Literati Painting" concept is also contemporary.
在此重点讨论气韵生动与文人画之逸格及文人画笔墨间的关系。
This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.
北宋中期著名文学家苏轼的文人画观在中国绘画史上占有特殊的地位。
Sushi was a well known writer in the Northern Song Dynasty, whose viewpoint of literati painting occupies an important place in the history of Chinese painting.
中国传统文人画多用此法，这得益于书法美学的早熟，古代文献多有记载。
The Chinese traditional literati paintings always use this method, which benefits from the precocity of the aesthetics of calligraphy.
金农是“扬州八怪”中最具有全面修养的画家，且最富文人画的原型精神。
As one of the "Eight Yangzhou Eccentrics", Jing Nong was an all-round stylist and painter full of archetypal meanings.
尚雅尚简，是中国文人画的美学追求，也是曾景祥先生花鸟画的又一显著特色。
Shang Yashang Jane, is the pursuit of aesthetics of Chinese literati painting, Mr. Ceng Jingxiang painting of flowers and birds is another prominent characteristic.
传统文人画抒情写意的美学思想在绘画商品化的历史语境中获得了新的表达方式。
The aesthetics thought of expressing emotion and writing mood in traditional literators 'painting acquired new expression under the historic context of painting marketing.
其目的和方法在于，从禅宗对绘画特别是对文人画的影响，来研究传统绘画精神。
This paper will expound around these respects, with the aim and method of studying traditional painting spirit from the view of the impact of Zen Buddhism on painting, especially on scholar painting.
自唐朝文人画初创以来，中国绘画则更加注重托物抒情、以画寄乐的表达方式的运用。
Since the start of the Tang dynasty literati paintings, Chinese painting is more emphasis on care of lyric and music to painting send the use of means of expression.
因此，我们在研究文人画时，除研究其娴熟的笔墨技巧外，更要研究文人画的思想性。
Therefore, while studying literary paintings, we should focus on the study of their ideological content in addition to their skillful painting techniques.
乔治·莫兰迪的绘画在精神境界、艺术追求上与中国“文人画”之“逸品”近乎一致。
Giorgio Morandi's paintings are similar with the carefree and leisure characters of literati painting on mental level and artistic pursuit.
“和”是古代中国文化的基本精神之一，中和是贯穿文人画理论始终的最高审美理想。
Moderation"is one of the basic spirits of the ancient Chinese culture. Juste-milieu and moderation are the topmost aesthetic ideals permeating the theories of all the liberators' paintings."
中国的绘画大体分为文人画、民间画、画家画，其绘画风格与画家的个性特征密切相关。
The Chinese paintings can be divided into literal painting, folk painting and painters' painting. All the paintings have a close relation with the painters' personal characteristics.
明清时期的工笔画受到文人画的影响，如：陈洪绶在他的人物作品之中也透露出写意之风。
But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.
诗书画三位一体是中国传统文人的身份识别符码，诗书画三绝也就成为评定文人画的标准。
Poetry is a traditional Chinese literati painting Trinity identification codes, and poetry painting Ruin has become the standard assessment of literati painting.
但他又自觉不自觉地在交友、绘画题材、风格和技法资源等方面，与传统文人画发生着关联。
However, he is related to traditional literati painting in terms of friends he made, subjects, style and technique of painting.
但他又自觉不自觉地在交友、绘画题材、风格和技法资源等方面，与传统文人画发生着关联。
However, he is related to traditional literati painting in terms of friends he made, subjects, style and technique of painting.
应用推荐