其二，文人画家不管荣辱得失，始终痴迷于绘事。
Second, the literati painters regardless of the pros and cons of honor, always obsessed with painting.
同时也是历代文人画家们对自然、社会和人生的一种情感折射。
At the same time, they are also the feelings refraction that scholar painters of every dynasties for nature, society and life.
所以其以形式的优美、内涵的丰富成为历代画家，特别是文人画家的情结。
And so the images of the fishermen with their beautiful forms and rich intensions were deeply loved by painters, especially literati painters.
墨作为中国画的载体，使中国文人画家找到了抒情达意、畅神写意的本质要素。
China ink as a Chinese painting of a black material carrier, the Chinese literati painters found a lyrical and expressive words, the essence of smooth elements of a decent God.
文人画家们也因绘制版画而声名远播，并从版画这种精美印刷品中汲取到营养。
Literati painters also prints the name became widely known for drawing, and from print to learn that fine print to nutrition.
传统文化在艺术家的头脑中始终保有着尊崇的地位，其中数文人画家最为典型。
Traditional culture often holds an esteemed position in the minds of many artists, and the epitome of that culture is the literati painter.
他一生笔耕不缀，广收各家之长又注重师仿造化，是当时画坛有着重要地位的一位文人画家。
Wang Chen was also a member of 'Junior Four Wangs' which made him more special in the Four Wangs' disciples and an important literati painter of the time.
他既保持了职业画家的长处，又吸收了文人画的优点，创造性地将二者融合，用以表现新鲜的审美好尚。
He keeps the merit of a professional painter and uptakes the advantage of literati paintings and combines the two to present novel aesthetic and appreciation.
近代画家陈师曾的专著《中国文人画之研究》及其他几篇相关文章无疑对我们现代研究文人画产生重要影响。
Modern painter Chen Shizeng's book Study of Chinese Literati Painting and several other articles undoubtedly have great impacts on our studies.
中国的绘画大体分为文人画、民间画、画家画，其绘画风格与画家的个性特征密切相关。
The Chinese paintings can be divided into literal painting, folk painting and painters' painting. All the paintings have a close relation with the painters' personal characteristics.
金农是“扬州八怪”中最具有全面修养的画家，且最富文人画的原型精神。
As one of the "Eight Yangzhou Eccentrics", Jing Nong was an all-round stylist and painter full of archetypal meanings.
而文人画思想很好的结合了这些新因素，并深入到了中国画家的骨髓。
Literay Painting Spirit combines the elements properly, and root into Chinese painters 'mind.
本论文以晚明画家和画论家董其昌的文人画艺术为主要研究内容，从艺术理论和艺术实践两大方面进行分析和阐述。
Dong Qichang was a drawer and a drawing theorist of Ming Dynasty, his literator brush drawing theory and practice were the investigative central content of this thesis.
本论文以晚明画家和画论家董其昌的文人画艺术为主要研究内容，从艺术理论和艺术实践两大方面进行分析和阐述。
Dong Qichang was a drawer and a drawing theorist of Ming Dynasty, his literator brush drawing theory and practice were the investigative central content of this thesis.
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