孔子、佛祖和摩诃毗罗(耆那教的先知)都生活在公元前6世纪，尽管他们的工作在后来才慢慢被编纂完成(佛祖的著作在之后的很长时间才编纂完毕)。
Confucius, Buddha, and Mahavira (the prophet of Jainism) all lived in the 6th century, though their works were compiled later (in the case of Buddha, much later).
我们对于整个旁遮普民族，就像对史诗《摩诃婆罗多》中的毗摩和阿周那一样敬重。
We had the same reverence for the whole Panjabi nation as for Bhima and Arjuna of the Mahabharata.
作为《摩诃婆罗多》中最光辉崇高的英雄，毗湿摩的形象并不是单一平面的。
As the most lofty and glory heroes in Mahabharata, Bhishma is not a single and plane image.
因此，本文从《摩诃婆罗多》中的核心英雄毗湿摩的形象分析入手，探讨隐于其后的精神内涵、文化价值和美学理想。
Therefore, this paper analyses the hero image of Bhishma from Mahabharata and explores the spiritual meaning, cultural value and aesthetic ideas hidden back of him.
因此，本文从《摩诃婆罗多》中的核心英雄毗湿摩的形象分析入手，探讨隐于其后的精神内涵、文化价值和美学理想。
Therefore, this paper analyses the hero image of Bhishma from Mahabharata and explores the spiritual meaning, cultural value and aesthetic ideas hidden back of him.
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