YYO是中国的首家艺术家经纪和摄影制作公司。
YYO is China's premier artist management and photography production company.
在三个周的制作过程中，两位摄影家跨越广阔的冰岛来拍摄大地、蓝天、马蹄。
Throughout the three-weeks production, two photographers crossed the vast Iceland to shoot the land, blue sky and hooves.
认真的摄影师以各种各样的方式声称自己在寻找、记录、公正地观察、见证事件或者探索自身，而不是制作艺术作品。
Serious photographers variously claim to be finding, recording, impartially observing, witnessing events, exploring themselves—anything but making works of art.
完成后的大楼将把电视制作的所有元素融入一个结构中，从摄影棚和编辑部到办公室。
The finished building will incorporate all the elements of television-making in one structure, from production studios and newsrooms to executive offices.
他成为纽约第一位在现代艺术博物馆中的摄影导演，并且在1955年制作了著名的“人类一家”展览。
He became the first director of photography at the Museum of Modern Art in New York City and created the famous "Family of Man" exhibition in 1955.
这里出示的照片是美国摄影师——罗伯特·贝特曼(音译)用克里安技术制作的。
The photographs shown here, produced using the Kirlian technique, were taken by American photographer Robert Buelteman.
滚石乐队1972年的双面专辑《颓废大街》则制作了一副折叠插页封面以及一套12张由摄影师诺曼•瑟福提供影像的穿孔明信片。
The Stones’ 1972 double album Exile on Main St. employed a gatefold cover and a series of 12 perforated postcards with inserted images from photographer Norman Seeff.
她说，新闻发布会的录音带由披头士乐迷、参加当天发布会的一名年轻的摄影记者制作而成。
She said the tapes were made by a young photojournalist and Beatles fan who attended the press conference.
它主要用于摄影、电影制作和建筑之中。
It is used primarily in photography, filmmaking and architecture.
世卫组织邀请摄影师和录像制作人参加这一全球摄影和录像年度竞赛。
WHO invites photographers and video producers to participate in this annual global photo and video contest.
制作这样一部电影的有趣之处在于你可以利用摄影机拉近你与故事，与演员之间的距离；你运用的是一种具有活力和现代感的摄影语言。
One of the things that made this movie so interesting to shoot was the ability to get close to the story, close to the actors with the camera; to apply a language that is so energetic and so modern.
为了记录这一实验，我和我的朋友，摄影师杰斯汀格洛同行，他将在每个星期里拍摄并制作三部视频短片，放在我“不带行李去旅行”的博客上。
In order to document this experiment, I travelled with a cameraman, my friend Justin Glow, who shot and edited three webisodes each week for my No Baggage Challenge blog.
上周末，由哈马斯制作拍摄的第一部电影在加沙地区上映，各路名流纷纷在摄影师前摆好造型，来庆祝这一时刻的到来。
The first feature film produced by Hamas debuted last weekend complete with a crowd of local celebrities posing for photographers at the Gaza movie premier.
当我听说维塔数字公司参与了制作，并且电影摄影师是拍摄了指环王三部曲的安德鲁·莱斯涅，我就非常感兴趣。
Once I heard that Weta Digital was involved and that the man who shot the Lord of the Rings trilogy, Andrew Lesnie, was the cinematographer, I got very interested.
首批提供补贴的一些州，例如新墨西哥和路易斯安那，他们现在已经有了令人印象深刻的摄影棚和一批优秀的电影制作者。
Some of the first places to offer rebates, such as New Mexico and Louisiana, now have impressive sound stages and a deep pool of production workers.
制作3d电影时，动画制作者们用电脑建立起立体摄影设备，以模仿人类的正常视觉。
To create a 3d film, animators mimic natural human vision by building a stereoscopic camera rig within the computer.
另外在前排就坐的还有摄影师和电视录像制作人。
Also in the front row were the photographer and videographer.
哥本哈根的FOX酒店以平面设计师、雕刻师、摄影师、动画制作者和涂鸦艺术者所打造的室内设计为特色。
The Hotel FOX in Copenhagen has dozens of rooms featuring the interior design work of a wide range of graphic designers, sculptors, photographers, animators and graffiti artists.
LRO轨道摄影机拍摄的3d图像被用作制作月球精确数字地形图，而这可能会调整平均高度值。
The 3d images from LRO orbital photography are being used to make an exact digital topographic map of the moon, and this is fact may tweak the mean elevation value.
因此他们通过动态摄影技术来剔除外表的影响，采用电影制作的技术来塑造虚拟角色。
So he and colleagues cut out the effect of physical appearance by using motion-capture technology, like the techniques moviemakers use to make digital characters.
为了帮助人们制作，“趋势电视”建立了详细的在线教程，教人们讲故事的技巧，摄影装备以及诸如此类的东西。
To help people get started, Current TV has extensive online tutorials on storytelling techniques, camera equipment and so forth.
加州在世界摄影棚电影(就是由六大摄影棚制作的电影)中占的份额从2003年的66%下降到2008年的34%，据她估计，从那以后，这个比例就一直在下降。
California's world share of studio films (ie, those made by the six biggest studios) dropped from 66% in 2003 to 34% in 2008, she estimates, and has fallen further since then.
只要鼠标点点拖拖就搞定，更别说这些用电脑制作出来的角色没有一个会拒绝搭乘摄影用拖车——或者当你在一个场景中调整灯光时对你大发脾气。
Not to mention that none of your computer-generated actors will refuse to leave their trailers-or throw fits when you move a light during a scene.
只要鼠标点点拖拖就搞定，更别说这些用电脑制作出来的角色没有一个会拒绝搭乘摄影用拖车——或者当你在一个场景中调整灯光时对你大发脾气。
Not to mention that none of your computer-generated actors will refuse to leave their trailers-or throw fits when you move a light during a scene.
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