明季饾版印刷技术和拱花技术的结合把古代彩色套印历史推向了颠峰时期。
The combination of woodblock overprint and "Gong Hua" techniques in Ming Dynasty pushed the ancient colored overprint history to its peak.
明代人们长期探索出现短版和拱花彩色套印，木刻彩印技术至此产生了质的飞跃。
Ming dynasty people long-term exploration version and appears multicolor printing of arch flowers, woodcut printing technology to produce a qualitative leap.
论文的目的在于研究并且剖析传统木版画的技法，重点研究写意木版画的多样技法：如拱花印，凹印法，凸印法，湿印法等等。
The aim of this thesis is to study and analyze; traditional wood engraving techniques, with a focus on techniques such as Gonghua printing, gravure, embossing, wet printing and so forth.
论文的目的在于研究并且剖析传统木版画的技法，重点研究写意木版画的多样技法：如拱花印，凹印法，凸印法，湿印法等等。
The aim of this thesis is to study and analyze; traditional wood engraving techniques, with a focus on techniques such as Gonghua printing, gravure, embossing, wet printing and so forth.
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