在泰纳逝世后150年的今天，他的抽象作品已经比其现实主义作品更流行。
Some 150 years after his death, Turner's abstraction has become more fashionable than his realism.
无论是现实主义、抽象主义或现代艺术都与视觉经验有着不可分割的关系。
Therefore, either realism or abstractionism or modern arts has an inseparable relation with visual experience.
到1918年，他再次摆脱现实主义，而将幻想画的手法(包括抽象的飞行物)与立体派的风格揉合于他的作品之中。
By 1918 he had moved away from realism again and was blending fantasy-including abstract flying figures-and cubism in his work.
这些作品包括纸上的书法、水彩，农村传统的和节庆的版画年画，云南画派的抽象画作和古典的现实主义画作。
This group included calligraphy on paper, watercolor, primitive paintings of rural traditions and celebrations, abstract works from the Yunnan School and classical realism.
马克思、恩格斯对现实主义的研究经历四十余年三阶段：第一阶段是反对抽象的善恶观念，强调历史具体性；
Marx and Engels studied realism for over 40 years, which were divided into four stages:in the first stage, importance was attached to the concreteness of history;
这部短片没有明显的叙述性，而是用抽象的现实主义(完美的画面是从大自然那里得到的灵感)，去表达一种联想的网络的想法。
While there's no obvious narrative, the film USES abstract realism-lovingly rendered imagery inspired by nature-to build an associative network of ideas.
从立体派、野兽派到超现实主义、抽象主义，其艺术理念与形式无一不曾在时装设计中有所体现。
From Cubism, Fauvism to Surrealism and Abstractionism, their art concept and pattern all have been embodied in fashion design.
形而上绘画对超现实主义艺术的产生具有重要的影响，也是抽象艺术产生的一座桥梁，在现代艺术探索之路上具有重要的意义。
Metaphysical Painting was significant in modern art for influenced Surrealism greatly, as well as being a bridge for Abstract art's coming into being.
从而我们发现在这个灰色的地带中，抽象表现主义、神秘主义以及现实主义其实都共生在一个时空中，相互之间可以任意转换与置换。
In this gray zone we discover that abstract expressionism, mysticism and realism all live within the same time and space, and that they are all mutually interchangeable.
无论是现实主义、抽象主义或现代艺术都与视觉经验有着不可分割的关系。
Therefore, either realism or abstractionism or modern arts has an inseparable relation with vis…
当代中国图书馆学研究者，可分为四种类型：抽象建构主义者、人文理想主义者、管理-技术主义者和批判现实主义者。
Contemporary Chinese library science researchers divide into four types, that is, abstract constructivist, humanism idealist, management-technologist and critical realist.
现实主义对历史先例而非抽象原则更感兴趣，并致力于使得恶产生得更少，而非实现绝对的善。
It appeals to historic precedent rather than to abstract principles, and aims at the realization of the lesser evil rather than of the absolute good.
因此，这两个作品代表了他在艺术舞台上从现实主义成功转向抽象主义的最佳例子。
As a result, these two paintings represent his successful artistic transformation in the arena of abstract figurative.
从现实主义的绘画方式完全转向非具象而带有抽象味的画家是如此罕见的，但在90年代黄铭哲就是这样冒险追寻抽象主义的绘画方式。
Rare as it is for a realist artist to transform its painterly manner completely. in the 1990s, Huang did just that and ventured into the oppositie of realism, abstraction.
作者把照片当作图像以塑造它与现实之间的关系，扭曲真实的空间，形成抽象的表达，由此炼成一件超现实主义制作。
As Zu graphically manipulates the connection to reality by skewing the representational capacity of the photograph into abstract expression to consequently forge a surrealist production;
作者把照片当作图像以塑造它与现实之间的关系，扭曲真实的空间，形成抽象的表达，由此炼成一件超现实主义制作。
As Zu graphically manipulates the connection to reality by skewing the representational capacity of the photograph into abstract expression to consequently forge a surrealist production;
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