本文从手风琴本身琴体的变化出发，阐述了手风琴演奏者应该去接受和演奏近现代音乐作品的历史必然性；
According to the changes of this instrument, this article expounds that the inevitability of accepting and performing modern works.
本文从手风琴本身琴体的变化出发，阐述了手风琴演奏者应该去接受和演奏近现代音乐作品的历史必然性；
According to the changes of this instrument, this article expounds that the inevitability of accepting and performing modern works.
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