当所有镜头拍摄完毕后，这个地下室就被拆掉了。
When all scenes had already been shot, the bunker was dismantled.
可以把所有镜头捕获到一个文件中，也可以捕获到多个小文件中。
You can either capture all of your footage in one big file, or you can capture it in a number of smaller files.
为了回家过圣诞节，过去的几天我都忙于完成自己所有镜头的拍摄。
It's been a busy past few days trying to finish up filming all my scenes in time to go home for Christmas.
其中一场需要建造一个地下室。当所有镜头拍摄完毕后，这个地下室就被拆掉了。
One of the sets required building an underground bunker. When all scenes had already been shot, the bunker was dismantled.
《地心引力》的全部意义在于，所有镜头都不会以我们习惯的方式出现。
The whole point of "Gravity" is that nothing behaves in the way we are used to.
为了让影片的真实感更强，《夜·明》的所有镜头都在马来西亚槟城拍摄。
In order to let the movie the true feeling stronger, "Night Is bright" all lens all photograph in the Malaysian Penang.
所有镜头都用的是物理摄像机，因为可以取得一个真实的曝光，垂直修正等等。
All shots here are made by physical cameras because of the need of real exposure, vertical correction, etc...
60岁的摄影师YukitakaAizawa说，海啸发生已经两周了，他们没有派任何人到这里来。海啸来袭时，他逃出来时把所有镜头和电脑设备都留在了家里。
'it's been two weeks and they haven't sent anyone over here,' said Yukitaka Aizawa, 60, a photographer who left all of his lenses and computer gear behind when he fled the tsunami waves.
可惜的是，并不是所有的比赛场地都允许我们在它们的天花板上安装这些高角度镜头。
Unfortunately not all stadiums provide roof access for us to install these high Angle cameras.
然而，水滴的镜头捕捉技术并非所有人都具备的第二天性，在此学到的技能无疑同样适用于其他拍摄。
However, the techniques used to capture a water droplet may not be second nature to all of us and the skills learnt here will undoubtedly be applicable to other photographic situations.
“看到克里斯汀……她在镜头前要打起精神对抗所有的压力，”他说：“你会突然明白做为一个男人，一个婚礼里的新郎，应该是最坚定的后盾。”
“Watching Kristen … she had to take all the nerves, all the heavy lifting in the scene, ” he said. “You suddenly realize that the role of a man, the role of a groom in a wedding, is that of a prop.”
所有内部镜头均在此车厢内被拍摄。隧道和车站内部的景象将稍后在计算机的帮助下被添加在绿色背景上。
All inner scenes are shot inside this car. Tunnel views and station interiors will be later laid on the green background with the help of computer.
所有内部镜头均在此车厢内被拍摄。
并非所有对话都是直接在镜头前出现。
电影《大白鲨》以及所有好莱坞巨作中，鲨鱼来袭的镜头顺序总是如出一辙：先是鱼鳍忽隐忽现，再是海上泛起一圈涟漪，最后鲜血染红了水面。
In "Jaws" and throughout the Hollywood corpus, the sequences of shark attacks are always the same: the flash of the fin, a ripple in the ocean, blood in the water.
他还建了一个密室，拍下了所有演员和工作人员一起签署保证绝不泄底的协议的镜头。
He also filmed on a closed set and forced cast and crew to sign an agreement promising not to mention the ending to anyone.
全帧鱼眼镜头拍到了地平线上所有东西，包括边缘一圈被灯光照亮的地景，正在脑袋上方的天顶。
The full fisheye frame shows everything above the horizon, including a lamp-illuminated landscape around the edges, and the zenith of the sky directly overhead.
如果天气晴朗，阳光是如此耀眼，这就会造成镜头内其它所有物体都曝光不足。
On a clear day, the sun is so bright that your camera's meter will tend to underexpose everything else in the frame.
所以，我决定把工作的一个新项目，捕捉的一个镜头的所有超级武器的派别，因为我们只看到一个（净化） 。
So, I decided to work on a new project, to capture a shot of all the mega weapons of the factions, because we've only seen one (the purifier).
所有的变焦，聚焦和镜头移动调整手册。
你所有的镜头和图像将收到一个重大升级，可能价值几千美元。
All your lenses and images will receive a significant upgrade easily that could be worth several thousand dollars.
然后是时候让一个漂亮的灰色直升机在镜头中看到，所有的工作，因为我们期望它。
It's then time to render a nice grey helicopter in the shot to see that all is working as we expect it to.
对于远距摄像者来说，结果就是意外的好，因为所有的镜头都会变得更强大有效。
For telephoto shooters the result is quite a bonus, as all your lenses will effectively get even more powerful.
以下照片均拍摄于911事件期间，拍摄者詹姆斯.纳希微描述为：“在我的记忆里，一切就像是慢镜头，所有事物都在漂浮。
The following photographs were all made on 9/11 and are described here in Nachtwey's own words: “In my mind it all went into slow motion. Everything was floating.
接下来你可以看到预览小样。视频中所有用红色标出的序列就是景深镜头运用的时刻。
Here you can see the preview. All the red-highlighted sequences in this video are time marks for playing with depth of field.
我们的软件支持所有的相机和镜头，因为它不依赖于任何的镜头配置文件。
Our software supports every camera and lens because it does not rely on any lens profiles.
他透过摄像机的镜头观察所有事物。
从最初的“交接”我们的镜头，然后开始分阶段我们的镜头，在我们过多地参与创建所有的元素。
From initial 'hand over' of our shot and then beginning to block out our shot in phases before we get involved too heavily in creating all of the elements.
从最初的“交接”我们的镜头，然后开始分阶段我们的镜头，在我们过多地参与创建所有的元素。
From initial 'hand over' of our shot and then beginning to block out our shot in phases before we get involved too heavily in creating all of the elements.
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