我们生活在录像与图片泛滥的世界，数量超过以往任何时代，结果媒体发表的那些女性穿着上异想天开的照片开始变得波澜不惊。
We live in a world that records and distributes images as never before, so that the freakish images of womanhood the media pumps out begin to seem normal.
“这些女性形象是一个我们这个消费时代的象征符号，”杨纳解释道，“(这些女人)被这种贪婪的以及过度物质化的生活方式所包围，她们看上去就是如此。”
"These women are a symbol of our era of consumption," Yang explains. "Enveloped in a lifestyle of greed and excessive materialism, these girls look alike."
我们也是首先不用担心旧时声誉的一代，而且我们被同时代的女性推动着去发现自身的床谛魅力。
We were also the first not only to be free of old-fashioned fears about our reputations but actually pressured by our peers and the wider culture to find our true womanhood in the bedroom.
Sewell在网站上写道：“对我来说，对于割礼真正的讨论是为什么在在文明的时代，我我们对女性行割礼感到不安，而却要一直对男孩行割礼呢？”
Sewell says on its website: "the real argument about circumcision is, for me, why in our enlightened times when we get very upset about the circumcision of women, why do we go on circumcising boys?"
我只是觉得，我们生活在一个要求女性将怀孕公开的时代。
I just feel like we live in an age when women are supposed to perform pregnancy.
同时，我们会拿同时代的个别男性导演的女性电影作品和文学作品作为比较，以求研究的眼光更为宽阔和公允。
Furthermore, to keep us fair and broad in vision, we'll also take some feminine movies and literal works made by male directors of the same period for the purpose of comparison.
不管我们喜不喜欢，这是一个对公众人物的着装选择着迷的时代，特别是女性公众人物（毕竟她们的衣服比男性的更有意思）。
This is a time, like it or not, of obsession with the wardrobe selections of anyone in the public eye, especially women in the public eye (their clothes are more interesting than men's, after all).
“三言”正面描写了一大批光彩照人的女性形象，在她们身上我们看到了新的时代特色。
In "Three Collections of Short Stories" by Feng Menglong a number of attractive female i…
“三言”正面描写了一大批光彩照人的女性形象，在她们身上我们看到了新的时代特色。
In "Three Collections of Short Stories" by Feng Menglong a number of attractive female i…
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