张庚虽然对周贻白的戏曲美学思想有很高的评价，但他对中国戏曲艺术审美特征所作出的判断却并没有将周贻白“空场子”的思想加以充分的吸纳和深入的阐述。
Although Zhang Geng have given higher appraisal to Zhou Yibai 's aesthetic thought, he hasn't absorbed and explained the Empty Place in his judgment on Chinese opera's aesthetic characteristics.
模仿作为一种戏曲行为方式，不仅具有在创作和表演上所体现的美学价值，在戏曲的教学与传承方面的教育价值也不容忽视。
As one of acting manners of traditional Chinese opera, imitation embodies both aesthetic value in creation and performance and educational value in teaching and inheritance.
模仿作为一种戏曲行为方式，不仅具有在创作和表演上所体现的美学价值，在戏曲的教学与传承方面的教育价值也不容忽视。
As one of acting manners of traditional Chinese opera, imitation embodies both aesthetic value in creation and performance and educational value in teaching and inheritance.
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