本文从影像艺术的本体出发，从剧情体裁、结构与节奏等方面探讨了戏曲电视剧的叙事艺术。
In this article, the author probes into the narrative art of theatrical TV play, starting from its style, structure and rhythm.
大体而言，“本色”涵盖了包括语言、审美风格、音律、内容、结构、人物形象塑造、舞台表演等戏曲文学组成元素。
Generally speaking, the Natural Color covers the elements of drama literature, including language, aesthetical style, temperament, content, structure, characterization, stage performances, etc.
中国戏曲和西方戏剧在表演形式和作品结构方面，之所以差别这么大，本质上是由于对时空处理采用不同方式所致。
The reason why Chinese opera and Western opera vary so much in the form of acting and patterns are mainly because the authors adopt different time-treating and special-treating patterns.
鬼魂形象所具有的超自然力被戏曲艺术家“提升”为“以虚用实”的艺术表现力，在结构剧情、营造戏剧情境上发挥出巨大作用。
The function of the ultra natural force is enormous in the structure story and building drama situation where the dramatists promotes of ghost's image by using the real artistic expression timidly.
双线结构是古典长篇戏曲中的典型结构模式，覆盖深广，影响巨大。
Two-lane structure is the structure of typical model in long classical opera.
本文认为这种独特的文体风格体现出了小说和戏曲这两种文体之间的交流，而赵树理之所以如此写作，是他有意识照顾农民群众感觉结构的表现。
The essays holds that such unique style signifies a communication between civilian opera and novel, and the reason why Zhao Shuli choose such style is his respect for the interest of peasant.
本文重点分析各时代戏曲目录提要的体例结构、内容及其客观性，以及与普通目录提要的区别。
The article focuses on the styles and contents of the summary and the differences between with general summary.
本文重点分析各时代戏曲目录提要的体例结构、内容及其客观性，以及与普通目录提要的区别。
The article focuses on the styles and contents of the summary and the differences between with general summary.
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