戏曲本体研究是20世纪中国戏曲研究中相当薄弱的一个环节。
The study of Chinese traditional opera's ousia is a quite weak link in the 20th century's opera study in China.
元曲研究在20世纪的中国戏曲研究中，占有最为重要的位置。
Among the study of Chinese opera in the 20th century, Yuan opera studies occupy the most important position.
戏曲研究成为20世纪文学艺术研究的“显学”，元曲研究贡献尤多。
The drama studied into the 20th century literary arts research "the famous doctrine", the Yuan verse research contribution were especially many.
保护计划：戏曲研究院开始正视收集昆曲剧本的各种版本、照片、录音和录像片。
Action plan: the Opera Research Institute envisages the collection and publication of scripts, photographs, and audio and video recordings of Kunqu performances.
同样，在戏曲研究中，西方的理论也时常被当作具有普世意义的绝对标准，并以此来衡量、要求中国本土的事物。
Similarly, in the field of Chinese opera studies, western theories have been regarded as the only universal criteria to judge and evaluate the local operas in China.
问题在于，戏曲研究虽无法不借重西方学术的一些观念和方法，但戏曲艺术本身却又与西方的戏剧理论不尽吻合。
The problem is that although opera studies have to borrow western ideas and research methods, the local operas themselves cannot be entirely measured up to western theories.
七曲及相关序言、题词对有关清初戏曲创作与批评风尚，以及遗民文化的研究，具有一定的参考价值。
These opera titles and involved preludes and epigraphs will help us research the drama creation, criticism, and loyalists culture in the early Qing Dynasty in more detail.
第二章是建立在对欧美音乐剧以及中国传统戏曲这两个范本的运作管理模式分析基础之上的研究。
The second chapter bases its discussion on the comparison of two respective managing models of Euramerican Musical and Chinese traditional drama.
笔者在前人研究的基础上，浅谈流行音乐中的戏曲文化应用与体现。
The author on the basis of previous studies, the pop music in the opera culture application and embodiment.
对跳戏的历史、演出形态以及它赖以生存的人文环境的研究，对于了解我国早期戏曲文化的特征有重要意义。
The research of its history, performing form and cultural environment is of vital importance to the understanding of the early cultural characteristics of the traditional Chinese Opera.
本文从民间造型艺术、民间舞蹈艺术、民间戏曲艺术等方面，对2004年民间艺术的研究状况进行了总结。
This article gives a summary of folk art studies in 2004 from three aspects, which include folk model art, folk dance art and folk drama art.
为对古代哲学，传统戏曲以及民俗文化艺术的研究保留了弥足珍贵的史料。
It would supply plenty of rare materials for studying the ancient philosophy, traditional play and folk-custom.
戏曲选本的内涵和外延、文献保存和研究状况以及其研究价值都具有学术意义。
This article tries to define its intension and extension, to generalize its preservation of documents and research condition and to sum up its studying value.
李渔的娱乐观众的戏曲创作与他对观众心理的研究也是分不开的。
Li Yus study in audience psychology is also indispensable to his success in entertaining audience.
厘清戏曲本体研究的范围、对象、内涵、性质、目的和方法，是确立合理的对话基础、推进戏曲本体探讨的基本前提。
Clarifying the range, objects, connotations, nature, purpose and methods of opera ousia study is the basic premise of probing into the ousia of Chinese traditional opera.
从事文艺编导方向要学习电视节目制作技术、策划与研究、文学戏剧理论、视听语言、戏曲、舞蹈、音乐、影视精品赏析。
The direction of art director in television production techniques to learn, planning and research, literary theory of drama, visual language, drama, dance, music, film quality appreciation.
沈起凤的戏曲作品是值得重视和进一步研究的。
Therefore, Shen's Chinese operas are worthy of more attentions and further studies.
他在学术研究方面堪称著作等身，尤其以戏曲、小说的研究最为突出。
In academic research, he does as prominent as writing, particularly in the research of verse drama and novels.
但是由于各种原因，对康海的文学创作研究除戏曲《中山狼》外，其它作品一直未能得到足够重视。
But, owing to various reasons, his literary researches except Zhongshan Wolf were not paid enough attention to.
正字戏是古老南戏的变体，为戏曲声腔的流变和地方文化对戏曲的影响等研究提供有力的证据。
The Zhengzi Opera is a variation of the ancient southern branch of opera, providing a solid evidence for researching the influence of evolution of opera tones and local culture on opera.
深入探究明清折子戏的成因及其功过，对于拓展戏曲史研究的视野，有较为重要的借鉴意义。
A deep probe into the cause, merits and demerits can make a further approach to traditional operas.
特别是在宋元戏曲史的基础研究上，主要运用的是西方实证主义和传统的经学即乾嘉朴学的方法；
Especially, his History of Song and Yuan Drama, was a product of combination the methods of west positivism and Chinese classic hermeneutics.
通过对各个地域的皮影人物造型进行了分析研究，得出皮影人物造型具有平面化，戏曲化以及地域化的艺术特征。
This article analyzes the character sculpt of shadowgraph in different regions, and sums up that the character sculpt of shadowgraph has three features: complanation, dramatization, regionalization.
本文正文由“戏曲音乐研究”和“中国古代音乐史研究”上下两篇组成。
The thesis is consisted of two parts, "the study of Chinese Theatrical Music" and "the study of Chinese Ancient Music History".
清代李渔本是戏曲理论家和作家，他对养生保健也很有研究，尤其注重心理情志养生。
LI Yu from the Qing Dynasty was opera theorist and writer. He also paid much attention to health care, especially to the regulation of the psychological and emotional state.
李渔的戏曲理论一直为人所关注、所研究。
No matter dead or alive, Li Yu's opera theory has always been concerned and researched.
这部分在掌握了大量资料的基础上，对前人的研究进行梳理，提出元明苏轼题材戏曲作品中苏轼造型的研究价值。
It is on the basis of mastering a great deal of information and it is the finishing of the previous studies, Proposes the significance of studies in the Sushi opera of Yuan and Ming Dynasty.
这部分在掌握了大量资料的基础上，对前人的研究进行梳理，提出元明苏轼题材戏曲作品中苏轼造型的研究价值。
It is on the basis of mastering a great deal of information and it is the finishing of the previous studies, Proposes the significance of studies in the Sushi opera of Yuan and Ming Dynasty.
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