宋以后的戏曲小说中，普遍存在着“大团圆”结局模式。
There exists universally a happy ending in opera novels after Song Dynasty.
钟馗的画和有关钟馗的传说故事、戏曲小说，更加异彩纷呈、引人入胜。
The pictures, legends, traditional operas, and novels relating to Zhong Kui are various and appealing.
中国古代戏曲小说所塑造的草莽型人物形象的共同特征是勇与力，是鲁莽。
The sharing characteristics of the Robin hood-like characters created in the ancient Chinese plays and novels are brave and strong, and imprudent.
探讨了中国古典戏曲小说文献专题多媒体WEB数据库建设的必要性和技术要点。
This article has discussed the necessity and the technical main points of multimedia WEB database's construction of literature of Chinese classical dramatic special subject.
《平妖传》叙事回环婉曲，情节曲折离奇，对后世戏曲小说的创作产生了一定的影响。
The narrative of Subjugation of Demons is excellent while the plot is twisty and weird, so this literature has definite influence over the creation of later dramas and fictions.
中国古代戏曲小说对卓文君故事中的“琴挑”与“私奔”两个情节进行了频繁的借鉴和模仿。
Scenarios of music allurement and elopement in the story of Zhuowenjun are frequently imitated and used for reference in Chinese classic operas and novels.
中国传统戏曲小说中存在着虚假的“团圆主义”即“大团圆”的结局，使作品形成了一种单一陈旧的模式。
It existed the false reunion in the Chinese traditional drama novel, Which became and old and Single mode.
小说、报告文学、电影、电视剧、话剧、戏曲、诗歌、音乐、美术、舞蹈、曲艺等各个方面，都出了一批优秀作品。
Excellent novels, pieces of reportage, films, television dramas, plays, operas, poems, musical compositions, paintings, dances and works of folk art have been produced.
正是这种视角的存在，清帝系列小说中的戏曲民俗，出现了一定程度的变异。
Due to the existence of this vision, a certain variation appeared in the traditional opera folklore of Qing Dynasty monarch line novel.
比较中国古代小说和中国古代戏曲，两者的思想内涵相似，而艺术表现形式的差异决定了两者又有弘扬历史文化与诗歌文化的不同。
Comparing the ancient novel and opera in China, they have similar ideas but different artistic expressions, which determine the difference between developing the historic culture and poetic culture.
这种叙事格局明显体现了小说家对戏曲化的思维认同。
This narrative setup reflected clearly novelist's identification in thinking with dramatization.
后世小说、戏曲创作基本上是在这一基础上进行的。
Then the novels and the traditional operas are conducted on this base.
他在学术研究方面堪称著作等身，尤其以戏曲、小说的研究最为突出。
In academic research, he does as prominent as writing, particularly in the research of verse drama and novels.
今天，包公的形象仍然活跃于戏曲、小说和民间传说里。
Today, Bao's image is still active in the opera, in fiction and folklore.
正是这种视角的存在，清帝系列小说中的戏曲民俗，出现了一定程度的变异。
For the existence of this view of Angle, a certain variation appeared in the traditional opera folklore of Qing Dynasty monarch line novel.
李渔是明清之际极富才情的通俗文学作家，在小说、戏曲等领域取得了令人瞩目的成就。
As a popular literature writer of great literary talent who lived in the period of Ming and Qing Dynasty, Liyu made prosperous achievements in domain of novel, opera and others.
首先梳理了这一故事的从史料到小说到戏曲的流变过程。
First of all sorts out this story from historical fiction to the drama of the flow to the process.
但探讨其戏曲理论与创作成就的较多，论及其小说创作特别是小说理论的较少。
Yet what is focused most is his traditional opera theory and his achievements in literary creation, very little attention is paid to his creation of novels, especially his theory of novel creation.
二月河清帝系列小说中的戏曲文化母题，有着丰富的民俗内容。
There is a great deal of folklore contents which are about the origin of the traditional opera culture in the novel of February river in Qing Dynasty monarch line.
小说、戏曲插图版画大量出现，一跃成为版画的主流。
Novels, dramas copious illustrations printmaking became the mainstream of printmaking.
他的产量很大，不到二十年累计近三十篇，包括小说，短小说集和诗集，戏曲还有文艺评论。
Her productivity since then has been prodigious, accumulating in less than two decades to nearly thirty titles, including novels, collections of short stories and verse, plays and literary criticism.
到明清时期，“庄子叹骷髅”故事进入到戏曲和小说，并以说道情的形式在民间广为流传。
In Ming and qing Dynasties, the story Chuang Tzu and Human Skeleton entered into drama and fiction. It was popular among people by the style of Shuo Daoqing.
他很有文学才华，写小说，也写戏曲。
Endowed with literary talent, he was good t writing novels and plays.
本文认为这种独特的文体风格体现出了小说和戏曲这两种文体之间的交流，而赵树理之所以如此写作，是他有意识照顾农民群众感觉结构的表现。
The essays holds that such unique style signifies a communication between civilian opera and novel, and the reason why Zhao Shuli choose such style is his respect for the interest of peasant.
但相对于戏曲中类型化的脚色表演，小说对于女性形象的塑造已经朝个性化方向稍稍前进了一些。
Both of them have the same performance skills and narrative attitude. Compared with the dramatized characters in the play, the female characters in the novel are further personalized.
十八般武艺是中国武术中的一个传统术语，常见于中国古代的戏曲、小说中。
The eighteen types of feat is a technical term in Chinese traditional Wushu, which is generally used in Chinese archaic operas and classical novels.
小说借鉴了戏剧、戏曲等艺术表现手法，体现在小说故事情节喜剧化，人物形象脸谱化，小说环境舞台化。
This paper makes an analysis of its borrowing of artistic techniques from the traditional opera, namely comedic plot, facial designs of characters and environmental stages.
传奇作为一种文体名称，既指唐代小说，又指明清戏曲。
Romance as a term of style can both refer to novels in the Tang Dynasty and operas in the Ming and Qing Dynasties.
传奇作为一种文体名称，既指唐代小说，又指明清戏曲。
Romance as a term of style can both refer to novels in the Tang Dynasty and operas in the Ming and Qing Dynasties.
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