汤显祖是晚明戏剧宗师，也是一位杰出的戏剧理论家。
Tang Xianzu was a great master of drama in late Ming dynasty. He was also an excellent drama theorist.
李调元，罗江文星镇人，清代著名文学家、戏剧理论家、诗人。
Li Tiaoyuan, people of Wenxing Town of Luojiang, is a famous litterateur, a drama theoretician, and a poet of Qing Dynasty.
新月派的戏剧理论观在中国新文学的戏剧美学建设方面是独树一帜的。
New Crescent dramatic theory has its own peculiarities in the dramatic aesthetics construction of China's new literature.
“陌生化理论”来自于俄国形式主义，是布莱希特戏剧理论的代名词。
"The Alienation theory" came from Russian Formalism, which is the synonym of Brecht's theatre theory.
本文拟从余上沅戏剧理论和创作实践出发对他的艺术观做一个认真的探讨。
The paper probes into yu Shangyuan's concept of art based on his theory of drama and creative practice.
莱辛对戏剧表演艺术的思考，集中体现在他的戏剧理论著作《汉堡剧评》一书中。
Lessing fully expressed his thought on performance of drama in his famous book drama critic Hamburg.
本文认为，布莱希特的陌生化作为戏剧理论包含陌生化效果和陌生化技巧两大基本部分。
The article holds that as a kind of theatre theory, brecht's Alienation Theory includes two parts:alienation effect and alienation technique.
本文所研究的现代派戏剧理论，贯穿了从1880到1930年整整半个世纪的西方剧坛。
The article deals with the modern drama theory between 1880 to 1930 in the western dramas's history.
汉代戏剧理论主要体现在戏剧与现实的关系、戏剧的讽谏与惩戒功能以及戏剧的娱乐功能之上。
Drama theory reflect in drama and realistic relation, drama is it remonstrate with with discipline function and amusement function of the drama to mocking mainly Han Dynasty.
布莱希特运用他的叙事戏剧理论旗帜鲜明地反对传统悲剧中的净化与共鸣思想，但并不反对戏剧的悲剧性。
By using his theory of narrative drama, Brecht was unequivocally opposed to the traditional tragedy of the purification and resonance of thought, but not opposed to the tragic of drama.
问题在于，戏曲研究虽无法不借重西方学术的一些观念和方法，但戏曲艺术本身却又与西方的戏剧理论不尽吻合。
The problem is that although opera studies have to borrow western ideas and research methods, the local operas themselves cannot be entirely measured up to western theories.
第二章分别从郑元勋的文学观点、选文、戏剧理论、诗文创作及其他文学交流活动对郑元勋进行了比较深入的研究。
Chapter II were from Zheng Yuanxun literary point of view, selecting text, drama theory, writing poetry and other literary exchange activities conducted on the Zheng Yuanxun more in-depth research.
布莱希特戏剧理论的最基本特征是：主张演员和角色之间、观众和演员之间、观众和角色之间必须保持一定的距离。
The most fundamental thing in Brecht s theory of drama was his conviction that a certain distance must be maintained between actors and characters, audience and actors, audience and characters.
从事文艺编导方向要学习电视节目制作技术、策划与研究、文学戏剧理论、视听语言、戏曲、舞蹈、音乐、影视精品赏析。
The direction of art director in television production techniques to learn, planning and research, literary theory of drama, visual language, drama, dance, music, film quality appreciation.
一个紧密相关的理论认为，戏剧从主要为哑剧的、有节奏的或体操的舞蹈中演变而来，或者从模仿动物的噪音和声音演变而来。
A closely related theory sees theater as evolving out of dances that are primarily pantomimic, rhythmical or gymnastic, or from imitations of animal noises and sounds.
19世纪末和20世纪初的人类学家们拥护的最广为接受的理论认为，戏剧起源于神话和宗教仪式。
The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth centuries, envisions theater as emerging out of myth and ritual.
除了探索戏剧可能的起源，学者们还从理论上探讨了人们发展戏剧的动机。
In addition to exploring the possible antecedents of theater, scholars have also theorized about the motives that led people to develop theater.
共和党母性理论的引入戏剧性地改变了史学。
Introduction of the republican motherhood thesis dramatically changed historiography.
这项工作（就像理论讨论戏剧“真实性”、“bienseance”和悲剧和喜剧的本质）强调需要道德效用。
This work (much like theoretical discussions on theatrical " vraisemblance ", "bienséance" and the nature of tragedy and comedy) stressed the need for moral utility.
另一个追溯戏剧起源的理论认为它来自人们对叙述故事的兴趣。
Another theory traces the theater's origin from the human interest in storytelling.
新兴市场今年戏剧般的复苏，令“脱钩论”卷土重来。该理论认为，尽管发达国家陷入衰退，新兴市场照样能实现增长。
The theory of decoupling – the idea that emerging markets can grow in spite of a downturn in the developed world – has been revived after their dramatic resurgence this year.
另一个与之紧密相关的理论将戏剧的起源追溯至舞蹈，这些舞蹈大体上是有节奏感的和体操式的那一类，或者是对动物动作和声音的模仿。
A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
关于古希腊戏剧的起源存在着多种理论，其中一个最普遍为人接受的理论假设认为戏剧从仪式演化而来。
There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual.
我的实验性理论是这戏剧是机器可能达到的最佳的翻译。
My experimental theory is this play is the best translation which the machine possibly achieves.
第一是古代的诗学悲剧理论阶段，诗学是其理论框架，戏剧悲剧是其研究对象。
The ancient poetic tragedy theory arose at the first phase. Poetics is its theoretic framework, and drama tragedy its object studied.
另一理论认为戏剧源于说书弹词，并认为讲述和聆听故事是人类的基本乐趣。
Storytelling has been proposed as one alternative. Under this theory, relating and listening to stories are seen as fundamental human pleasures.
本文试运用存在主义哲学理论，从人与世界、人与他人及人与自我三个方面来解读这部荒诞派戏剧的经典剧作。
By applying existentialist theories from three aspects: man and the world, man and others, as well as man and self.
随着语言学的长足发展，特别是语用学和话语分析的兴起，戏剧文体学研究获得新的理论依据和研究方法。
With the rapid development of linguistics, especially the springing up of Pragmatics and Discourse Analysis, study on dramatic stylistics gains new theoretical basis and methods.
私人辅导员及教师在私人培训机构教授学生诸如艺术、舞蹈、戏剧和音乐等科目的实践、理论和表演。
Private TUTORS and TEACHERS teach students in the practice, theory and performance of subjects, such as art, dance, drama and music, in private training establishments.
他编译的中国文学选集摘译并编选了中国几千年以来的经典著作，其中包括诗歌、散文、唐传奇、信件、中国传统文学理论和戏剧等。
In his anthology, representative Chinese classics from various genres, such as poetry, prose, T'ang tales, letters, traditional literary theories, and dramas are translated into English.
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