1980年他的自传体戏剧《戏剧人生》获得最初的成功之后，其作品就经常受伦敦评论家的口诛笔伐。
After the initial success in 1980 of his autobiographical play, “The Dresser”, his work was regularly savaged by London critics.
1980年他的自传体戏剧《戏剧人生》获得最初的成功之后，其作品就经常受伦敦评论家的口诛笔伐。
After the initial success in 1980 of his autobiographical play, “The Dresser”, his work was regularly savaged by London critics.
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