再次，重点阐述了“意象造型”语言如何获得。
最后，对“意象造型”与“现代媒介”的结合做了客观的展望。
Finally, the "teapot" and "modern media" combined to do an objective outlook.
传统绘画中的“意象造型”作为把我们与历史连接的纽带时时启迪着我们。
Traditional painting in the "Image style" as the link between the history we always inspired us.
南阳汉画像石在散点透视、以线造型和意象造型三个方面具有独特的艺术表现。
There are three distinctive artistic expressions of the Nanyang Han Dynasty's stone reliefs:scattering perspective, modelling with lines, modelling with images.
意象造型是画者在刻画客观物象时以表达对于客观物象的主观感受为根本追求的一种造型方式。
Image modeling is an objective portrait painting in the spirits, to express the objective spirits as the fundamental perception of the pursuit.
接着，以当代艺术中的“中国元素”和关良先生的作品为例，阐述“意象造型”在当下的意义。
Then, with the contemporary art of "Chinese elements" and Mr. Guan's work, for example, described "teapot" in the present meaning.
联系不同时代绘画领域的具体情况，分析中国人物画意象造型所产生的审美意趣及不同的审美体现。
"Images", and to explore the philosophical foundation. Painting a concrete link different times. Analysis of Chinese Painting Images produced by the different aesthetic charm and aesthetic expression.
《水浒叶子》之所以受到较高的评价，是因为作者把握到了中国人物绘画造型艺术的真谛和精髓，即意象造型。
"Water Margin leaves," the reason for the higher assessment is the author of the plastic arts of the Chinese people the true meaning and essence of painting, image modeling.
与西方传统的由艺术“模仿说”产生的“写实造型”相比，“意象造型”更贴近艺术的本质和人们的精神世界。
And the Western tradition of the arts and "imitation," resulting "realistic style" compared to "Image style" closer to the essence of art and people's spiritual world.
其次，本文阐述了“意象造型”的特点，以期通过对其特点的阐述进一步明确“意”与“象”的关系对作品的影响。
Second, in the paper "Image modeling" of the characteristics of the features described by its further define the "meaning" and "like" relationship between the impact of the works.
本文首先对中国传统壁画中的“意象造型”语言进行浅析，旨在说明“意象造型”的产生是艺术家的自觉意识的产物。
Firstly, traditional Chinese paintings in the "Image style" of language to explain, "Image Modeling" is the product of the artist's conscious awareness.
它的“意象”造型特色具有一定的典型性，来源于对生活本质性的理解，是民众在劳动过程中的智慧结晶。
Its image sculpt has some typical characteristics, which come from the comprehension of the true nature of life and the wisdom result of the common people in their laboring process.
因此，无论是造型艺术的意识层面还是形式技巧层面，“意象”造型都值得我们继承并发扬光大。
Therefore, the awareness level is the form of the plastic arts skills level, "Image" we have inherited and carried forward modeling.
产品意象认知模型阐明了消费者情感需求与产品造型之间的关系。
Product image cognitive model clarifier the relation between customers' emotional needs and product form.
中国画的写意造型，展示的是似与不似之间、寓意于象、以象尽意“心物统一”的意象。
What revealed in modeling of Chinese painting is an artistic result of a likeness in spirit rather than in appearance, embodying the meaning in images.
车站建筑造型新颖、大气，富有张力的钢结构和流畅的室内空间，巧妙呈现了杭州“钱塘大潮”的意象。
Thee station architecture forms has cleverly reflect on the meaning of Hangzhou "the Qiantang bore" by using modern, fluency, full of tension steel structure work.
因此，无论是从绘画造型的精神还是从形式风格方面，传统的意象图式都是值得我们继承并发扬光大的。
So not only from the spirit of painting molding, but also from the formality style, traditional imagery graphic is worth inheriting and carrying forward.
本文从动物造型手法与规律着手，分析和归纳民间动物造型的意象组合的构成方法，为现代设计构思提供充满精神美的视觉形象。
This paper, set about from animal modelling tactics and law, has analysed and summed up folk animal composition method to offer visual images full of beautiful spirit for modern design and conception.
通过对包装造型结构设计形式的讨论，阐明了包装整体外观的意象性和价值作用。
In this paper, the design for the modelling and structure of the package have been discussed, and explain the imagery of the whole outside of the packaging and the value.
应用意象尺度法（即SD法）对现有电动自行车造型特点进行了分析，提取了电动自行车的造型元素。
Use Semantic Differential method (SD method) to analysis electric bicycle design characteristics, extract the modelling elements of electric bicycle's appereance.
从此概念出发，文章阐述了建筑设计意象的几个本质特征，进而结合它论证并归纳出一条建筑造型表达设计意象的可行途径。
Then same basic characters of the design imago are presented. The following analysis helps us to induce a viable way for architecture to represent the imago by form sculpting.
《乌鸦》是当代英国诗坛最负盛名的诗人塔特·休斯的第四部诗集、代表作。 《乌鸦》以其主体意象模式、独特的形象造型和语言特征，成为一部后现代视域下的实验拓新，实现了诗人“风格的尝试”。
Crow, as the fourth volume by Ted Hughes, who was the late Poet Laureate in Britain, is characterized by its principle imagery model, unique images and linguistic style.
《乌鸦》是当代英国诗坛最负盛名的诗人塔特·休斯的第四部诗集、代表作。 《乌鸦》以其主体意象模式、独特的形象造型和语言特征，成为一部后现代视域下的实验拓新，实现了诗人“风格的尝试”。
Crow, as the fourth volume by Ted Hughes, who was the late Poet Laureate in Britain, is characterized by its principle imagery model, unique images and linguistic style.
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