中国古代意象论是中国古代文论和美学理论的基本范畴。
The ancient Chinese "imagery" is a basic category in ancient Chinese critical theory and aesthetics.
王夫之“情景”论在其诗学体系中主要讨论的是诗学意象论，其诗学意境论主要是通过大量的“象外”论的研究来体现。
The "scene" of Wang Fuzhi in its poetic system primarily talks about the artistic theory. The artistic conception theory is a research into a flood of "idea outside" theory.
为了揭示语言本体论的意义，本文又从英汉两种语言在表达上的维度差异入手，考察了“意象”与“IMAGE”的语言生成。
Secondly, in order to trace the significance of linguistic ontology, this paper investigates the linguistic formation of "IMAGE" in both languages.
第二章，对相关理论和概念进行阐述，包括意象殚论、城市意象理论和定位理论；
Section 2 focuses on some basic concepts and several relevant theoretical devices, such as the theories of image, urban image, and positioning.
第二章，对相关理论和概念进行阐述，包括意象殚论、城市意象理论和定位理论；
Section 2 focuses on some basic concepts and several relevant theoretical devices, such as the theories of image, urban image, and positioning.
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