我们永远不会知道,弥尔顿在这句描写门边的双手引擎的,刻意的意象叠加里想要表达什么。
Now we will never know, and don't let anyone ever suggest to you that you will ever know, what Milton could possibly mean by this deliberately perplexing image of the two-handed engine at the door.
枫树与猿声并行出现在作品中是视觉与听觉的互应，是双重意象的叠加，并以此升华了作家的主观情感。
The appearance of ululation of apes together with the imagery of maple in poems is an auditory echo of seeing and this forms a double-imagery and sublimates the subjective feelings of poets.
枫树与猿声并行出现在作品中是视觉与听觉的互应，是双重意象的叠加，并以此升华了作家的主观情感。
The appearance of ululation of apes together with the imagery of maple in poems is an auditory echo of seeing and this forms a double-imagery and sublimates the subjective feelings of poets.
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