其中尤以青山意象表现突出，它不仅仅再是诗人眼中的山水，而更多的化作了心中的一道永恒不变的风景。
The outstanding one is the image of green hill, which is not only the scenery in his eyes, but the eternal landscape in his heart.
前者主要围绕着艺术媒介的不同分析山水诗画中“叙述的意象”与“视觉的意象”的差异性。
Basing on the different art medias around landscape paintings and poems, the difference between "narrative imagery" and "visual images" was pointed out.
再如，山水画的散点透视是为了消除个人的视限，在意识中还原现象，而不是在心理空间中重构意象。
The cavalier perspective of landscape painting was to be eliminate the limitation of individual, and revert phenomenons in consciousness, but not rebuilt images mental space.
再如，山水画的散点透视是为了消除个人的视限，在意识中还原现象，而不是在心理空间中重构意象。
The cavalier perspective of landscape painting was to be eliminate the limitation of individual, and revert phenomenons in consciousness, but not rebuilt images mental space.
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