中国对意大利歌剧刚刚燃起的热情有那么一点暴发户的感觉。
China's newfound passion for Italian opera carries a touch of the nouveau riche.
他是意大利歌剧形式日趋定型时期中最重要和最多产的作曲家。
He is the most important and prolific composer in the period of the form of Italian opera gradually falling into a pattern.
这项工作是一个讽刺和意大利歌剧是编剧亨利·菲尔丁大脑孩子。
The work was a satire of Italian opera and was the brain child of librettist Henry Fielding.
歌剧方面则有新制作的粤剧“张羽煮海”及意大利歌剧“阿伊达”。
Operatic offerings included a newly commissioned production of the Cantonese opera Till the Sea Runs Dry and the Italian opera Aida.
她的父母将她送上艺术之路，1993年至1998年，她在北京的中国音乐学院学习意大利歌剧。
Her parents pushed her toward the arts, and from 1993 to 1998, she studied Italian opera at the China Conservatory of Music in Beijing.
让我们来看看流行歌曲和意大利歌剧作曲家文森佐·贝里尼（1801-1835）的咏叹调之间的区别吧。
Take any popular song and compare it to any aria by the Italian opera composer Vincenzo Bellini (1801-1835), for example.
1724年的今天，乔治·弗里德里克·亨德尔所写的意大利歌剧《朱利奥凯撒大帝》在伦敦首次公演。
1724 - The premiere of Giulio Cesare, an Italian opera by George Frideric Handel, takes place in London.
意大利歌剧传奇人物、将歌剧带给公众的20世纪最伟大男高音之一的帕瓦罗蒂在意大利北部家中去世，终年71岁。
Italian opera legend Luciano Pavarotti, who brought opera to the masses as one of the greatest tenors of the 20th century, has died at his home in northern Italy.
在理查·施特劳斯的歌剧中，虽然你很难听到一首如意大利歌剧那样的完整咏叹调，但各种唱段中，却能感受到每个人物的个性。
Richard Strauss's opera reasonable, although very difficult for you to hear, such as an Italian opera arias as a complete, but a variety of aria, can feel the personality of each character.
1959年的2月17日，在科芬园举行的唐尼采蒂（注：意大利歌剧作曲家）的拉美莫尔的露琪亚首场演出中，琼萨瑟兰认为她可能会感冒。
ON FEBRUARY 17th 1959, the opening night of Donizetti’s “Lucia di Lammermoor” at Covent Garden, Joan Sutherland thought she might be getting a cold.
Melodrama的原义指意大利歌剧，单词中的melo与melody（旋律）的前缀相同，而另一部分drama，则可追溯到一个意为情节的希腊语上。
The original melodramas were Italian operas and the melo in melodrama is the same prefix you hear in melody.
所以当意大利人移民到欧洲各地时，他们带来了戏剧，尤其是歌剧，因为它是一种意大利的形式。
So as Italians migrated across Europe, they carried theater with them and opera specifically because it was an Italian form.
上千年来，歌剧在意大利一直都是很普通的事物，直到它变成一种被商业化的项目。
Opera was commonplace in Italy for almost a thousand years before it became commercial as a venture.
所以在现在的意大利，歌剧不再用拉丁语演出，而是开始用意大利语演出。
So in what is now Italy, operas quit being presented in Latin and started being presented in Italian.
歌剧起源于意大利，但并不像意大利人那样局限于意大利。
Opera originated in Italy but was not confined to Italy any more than Italians were.
英国人对歌剧做出了重大的调整，并把他们对歌剧所做的改革带回了意大利。
The English made a major adjustment to opera and exported what they had done to opera back to Italy.
因此你会看到一个音乐互相影响而形成的环状效应——意大利人发明了歌剧，法国人修改了它，英国人吸收了它，意大利人又带回本国。
So that you have this circle of musical influences—the Italians invented opera, the French adapted it, the English adopted it, the Italians took it back.
意大利作曲家维瓦尔第创作的失传已久的歌剧300年来首次在布拉格演出。
A long-lost opera by the Italian composer Vivaldi is being performed in Prague for the first time in almost 300 years.
《爱之甘醇》是意大利著名歌剧作曲家盖塔诺·多尼采蒂的经典作品，于1832年5月12日在米兰首演。
"L'elisir d'amore" is a work of Italian famous opera composer Gaetano Donizetti. It premiered in Milan on May 12, 1832.
他在米兰学会讲能干意大利语并且成为了歌剧抛光，出席表现在laScala。
He learned to speak competent Italian and became an opera buff, attending performances at la Scala in Milan.
如果真成了那样，就有点像意大利将威尔第的歌剧放到米兰和罗马的小剧场里上演的意味。
If it did, it would be a bit like Italy consigning Verdi to a few small halls in Milan and Rome.
歌剧起源于意大利，是吧？我是说除了莫扎特是奥地利人以外，所有的作曲家都是意大利人。
It comes from Italy, right? I mean all of these composers were Italian, but Mozart was Austrian.
好了，我知道歌剧起源于意大利，很快遍及欧洲各地，但这并不能解释它是怎么传到美国的。
OK, so I know it started in Italy and became widespread across Europe pretty quickly, but chat doesn't explain how it came to America.
你有没有听过这歌剧用意大利文演唱？
是不是最初所有的歌剧都是用意大利语写的？
那是因为歌剧非常受欢迎，破传到了德国、法国、英国、俄罗斯、西班牙、葡萄牙和其他国家。不过歌剧的确是起源于意大利。
That's because it was so popular and spread to Germany, France, England, Russia, Spain, Portugal and other countries. But yes, it originated in Italy.
贝利尼是十九世纪意大利浪漫主义时期一位重要的歌剧作曲家。
Vincenzo Bellini is an important opera composer in the Italian Romantic period of the nineteenth century.
贝利尼是十九世纪意大利浪漫主义时期一位重要的歌剧作曲家。
Vincenzo Bellini is an important opera composer in the Italian Romantic period of the nineteenth century.
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